Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2013
- Published
Lively Artifacts
Müggenburg, J., 27.08.2013Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
- Published
Feministische Kommunikations- und Medienwissenschaft: Positionen zu Gesellschaftskritik, Erkenntniskritik und Emanzipationsvision
Thomas, T., 24.08.2013, Normativität in der Kommunikationswissenschaft.. Karmasin, M., Rath, M. & Thomaß, B. (eds.). Wiesbaden: Springer Fachmedien Wiesbaden, p. 397-420 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Gesichter im Sand: Schwärme zwischen Nicht-Identität und Pattern Recognition
Vehlken, S., 15.07.2013, Im Netz der Eindeutigkeiten: unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 165-188 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Unplanned, Unanticipated and Unsupported? E-Mail als sozio-technisches Hybrid
Siegert, P. F., 04.07.2013, Computer als Medium »HyperKult XXII« : Standards, Normen, Protokolle. Centre for Digital Cultures Lüneburg, p. 14-20 7 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Die Identität der Amöben
Berz, P., 07.2013, Im Netz der Eindeutigkeiten. : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 189-218 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Accepted/In press
Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit
Pias, C. (Editor), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Creative Network Communities in the Translocal Space of Digital Networks
Smite, R., 05.2013, In: Human Technology. 9, 1, p. 4-21 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Lautsprecher. Medienaufführungen: Vom kulturellen Wandel eines Übertragungsmediums
Großmann, R., 05.2013, In: Positionen. 95, Mai 2013 "Oberflächen", p. 18-20 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
As You Like It: Critique in the Era of an Affirmative Discourse
Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
303, MPC, A/D: Popmusik und die Ästhetik digitaler Gestaltung
Großmann, R., 2013, Performativität und Medialität Populärer Kulturen: Theorien, Ästhetiken, Praktiken. Kleiner, M. & Wilke, T. (eds.). Wiesbaden: Springer, p. 299-319 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review