Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2016
  2. Published

    On the Existence of Digital Objects

    Hui, Y., 29.02.2016, Minneapolis: University of Minnesota Press. 314 p. (Electronic Mediations; no. 4)

    Research output: Books and anthologiesBook

  3. Published

    Multimodal Crowd Sensing

    Vehlken, S., 15.02.2016, ReClaiming Participation: Technology - Mediation - Collectivity. Denecke, M., Ganzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 51–66 16 p. (Edition Medienwissenschaft; vol. 15).

    Research output: Contributions to collected editions/worksChapterpeer-review

  4. Published

    Other Beginnings of Participative Sense Culture: Wild Media, Speculative Ecologies, Transgressions of the Cybernetic Hypothesis

    Hörl, E. H., 15.02.2016, ReClaiming Participation: technology - mediation - collectivity. Denecke, M., Gatzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 93-121 29 p. (Media studies).

    Research output: Contributions to collected editions/worksChapterpeer-review

  5. Published

    Collectives, Connectives, and the ‘Nonsense1 of Participation

    Pias, C., 02.2016, ReClaiming participation: technology - mediation - collectivity . Denecke, M., Ganzert, A., Stock, R. & Otto, I. (eds.). Bielefeld: transcript Verlag, p. 23-38 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Einleitung

    Pias, C. & Rieger, S., 02.2016, Vollstes Verständnis: Utopien der Kommunikation. Pias, C. & Rieger, S. (eds.). 1 ed. Berlin / Zürich: Diaphanes Verlag, p. 7-13 7 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    ReClaiming Participation: Technology - Mediation - Collectivity

    Denecke, M. (Editor), Ganzert, A. (Editor), Otto, I. (Editor) & Stock, R. (Editor), 02.2016, Bielefeld: transcript Verlag. 296 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  8. Published

    Vollstes Verständnis: Utopien der Kommunikation

    Pias, C. (Editor) & Rieger, S. (Editor), 02.2016, 1 ed. Berlin / Zürich: Diaphanes Verlag. 208 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    Zur Aktualität der Rhythmusbewegung im 21. Jahrhundert: Eine Respondenz

    Großmann, R., 02.2016, In: Die Musikforschung. 69, 2, p. 157-160 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Queer mobiles and mobile queers: Intersections, vectors, and movements in India

    Shah, N., 01.01.2016, Routledge Handbook of New Media in Asia. Hjorth, L. & Khoo, O. (eds.). Abingdon: Taylor & Francis, p. 275-284 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    The messenger as a model in Media Theory. Reflections on the philosophical di-mensions of theorizing Media

    Krämer, S., 01.01.2016, Media Transatlantic: Developments in Media and Communication Studies Between North American and German-Speaking Europe. N. F. (ed.). Cham: Springer Verlag, p. 197-213 17 p.

    Research output: Contributions to collected editions/worksChapterpeer-review