Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2016
  2. Published

    Social Media - New Masses

    Baxmann, I. (Editor), Beyes, T. (Editor) & Pias, C. (Editor), 2016, Zürich: Diaphanes Verlag. 348 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Spaces with a temper: On atmospheres of teaching

    Michels, C. & Beyes, T., 2016, The Routledge Companion to Reinventing Management Education. Beyes, T., Steyaert, C. & Parker, M. (eds.). London : Routledge Taylor & Francis Group, p. 312-329 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    'Svjedok – Der Zeuge' (2012) oder: Kann ein Film ein Zeugnis sein?

    Krämer, S., 2016, Zeugen in der Kunst. Krämer, S. & Schmidt, S. (eds.). Paderborn: Wilhelm Fink Verlag, p. 141-162 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Technikvergessenheit? Ernst Kapps und Georg Simmels nichtinstrumentelle Techniktheorien

    Schnödl, G., 2016, In: Zeitschrift für kritische Sozialtheorie und Philosophie. 3, 1, p. 131-150 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    The Question Concerning Technology in China: An Essay in Cosmotechnics

    Hui, Y., 2016, Falmouth: Urbanomic. 346 p. (Mono)

    Research output: Books and anthologiesMonographsResearch

  7. Published

    Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft

    Vehlken, S. (Editor), Müller-Helle, K. (Editor), Müggenburg, J. K. (Editor) & Sprenger, F. (Editor), 2016, Norderstedt: meson press. 118 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  8. Published

    Trick 17 zur Einführung

    Vehlken, S., Müggenburg, J. K., Sprenger, F. & Müller-Helle, K., 2016, Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Lüneburg: meson press, p. 7-14 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Trickkisten: Heinz von Foerster und der Zauber der Kybernetik

    Müggenburg, J. K., 2016, Trick 17 : Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Norderstedt: meson press, p. 59-84 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Von der Herrschaft der Technik zum Parlament der Dinge: Ein Deutungsversuch

    Voller, C. & Schnödl, G., 2016, In: Internationales Jahrbuch für Medienphilosophie. 2, 1, p. 159-182 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Warum für Kant die mathematische Gewissheit nicht auf dem Schlussfolgern be-ruht. Über die Rolle von Anschauung, Räumlichkeit, Körperlichkeit und Deixis in Kants Erkenntnistheorie

    Krämer, S., 2016, Ungründe : Potenziale prekärer Fundierung. Rautzenberg, M. & Schiffers, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 201-218 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review