Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2018
  2. Published

    Schematism, Imagination, and Pure Intuition in Kant

    Krämer, S., 28.06.2018, Image, Imagination, and Cognition.: Medieval and Early Modern Theory and Practice. Lüthy, C., C. S., Bakker, P. & Zittel, C. (eds.). Brill Verlag, p. 300-320

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Wie Digitalität die Geisteswissenschaften verändert. Neue Forschungsgegenstände und Methoden.

    Huber, M. (Editor) & Krämer, S. (Editor), 27.06.2018, Wolfenbüttel: Herzog August Bibliothek. (Zeitschrift für Digitale Geisteswissenschaften. Sonderbände; vol. 3)

    Research output: Books and anthologiesSpecial Journal issueResearch

  4. Published

    Wissenschaftsgeschichte zwischen Digitalität und Digitalisierung

    Borrelli, A., 27.06.2018, In: Zeitschrift für digitale Geisteswissenschaften - ZfdG. Sonderband 3, 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Der ‚Stachel des Digitalen‘ – ein Anreiz zur Selbstreflexion in den Geisteswissenschaften? Ein philosophischer Kommentar zu den Digital Humanities in neun Thesen

    Krämer, S., 19.06.2018, In: Digital Classics Online. 4, 1, p. 5-11 7 p.

    Research output: Journal contributionsComments / Debate / ReportsResearch

  6. Published

    Modeling normativity in sustainability: a comparison of the sustainable development goals, the Paris agreement, and the papal encyclical

    Schmieg, G., Meyer, E., Schrickel, I., Herberg, J., Caniglia, G., Vilsmaier, U., Laubichler, M., Hörl, E. & Lang, D., 01.05.2018, In: Sustainability Science. 13, 3, p. 785-796 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Das Monster am Ende des Buches

    Pias, C., 05.2018, In: Zeitschrift für Kulturwissenschaften. 12, 1, p. 109-114 6 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  8. Published

    Der Rest ist Papier: Mediale Infrastrukturen der Finanzmärkte

    Ambroschütz, J., Dommann, M. & Hoof, F., 12.04.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 87-96 10 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Intelligenz-Comptoirs

    Fuchs, M., 01.04.2018, Rimini Protokoll: Staat 1-4 : Phänomene der Postdemokratie. Schipper, I. (ed.). Berlin: Verlag Theater der Zeit, p. 146-153 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Sonderheft Medienökonomien, Zeitschrift für Medienwissenschaft, Vol 18, Nr. 1

    Hoof, F. (Editor), Dommann, M. (Editor) & Hediger, V. (Editor), 04.2018, Bielefeld: transcript Verlag. 210 p. (Zeitschrift für Medienwissenschaft; vol. 18, no. 1)

    Research output: Books and anthologiesSpecial Journal issueResearch

  11. Published

    Between Recognition and Abstraction: Early Vocational Training Films

    Hoof, F., 22.03.2018, The Image in Early Cinema: Form and Material. Curtis, S., Gunning, T., Gauthier, P. & Yumibe, J. (eds.). Indiana University Press, p. 111-119 9 p. (The Image in Early Cinema).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Published

    Medienökonomien. Einleitung in den Schwerpunkt

    Dommann, M., Hediger, V. & Hoof, F., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 8-17 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  13. Published

    Perverse Bienen: Artificial Life und der Apfel der Erkenntnis

    Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  14. Published

    The Corrupt State of Artificial Intelligence: Clemens Apprich on Machine Learning and Bias

    Apprich, C., 03.2018, In: Texte zur Kunst. 109, p. 136-141 6 p.

    Research output: Journal contributionsJournal articlesTransfer

  15. Published

    Subversive Gamification

    Fuchs, M., 27.02.2018, Playful Subversion of Technoculture. Cermak-Sassenrath, D. (ed.). Singapore: Springer Verlag, p. 198 - 208 11 p. (Gaming Media and Social Effects).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Published

    Medialität und Heteronomie. Reflexionen über das Botenmodell als Ansatz einer Medienphilosophie

    Krämer, S., 26.02.2018, Handbuch der Medienphilosophie. Schweppenhäuser, G. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 33-44 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  17. Published

    Vom Wahn- und Wahrsprechen des technologisch Unbewussten

    Apprich, C., 01.01.2018, In: Le Foucaldien. 4, 1, 20 p., 7.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  18. Published

    Wider die Botanik! Biologie und Ästhetik der Zwischenwesen um 1900

    Schnödl, G., 01.01.2018, Annals of the History and Philosophy of Biology. Kittelmann, J. (ed.). Göttingen: Universitätsverlag Göttingen, Vol. 22. p. 289-304 15 p. (Annals of the history and philosophy of biology; vol. 22).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  19. Published

    Aisthesis und Operativität der Schrift. Über ‚Schriftbildlichkeit'

    Krämer, S., 2018, Schreiben als Ereignis: Künste und Kulturen der Schrift. Müller-Tamm, J., Schubert, C. & Werner, K. U. (eds.). Paderborn: Wilhelm Fink Verlag, p. 17-34 18 p. (Zur Genealogie des Schreibens; vol. 23).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  20. Published

    Das Bild in der Schrift: Über ‚operative Bildlichkeit‘ und die Kreativität des Graphismus

    Krämer, S., 2018, Schrift im Bild: Rezeptionsästhetische Perspektiven auf Text-Bild-Relationen in den Künsten. Gibhardt, B. R. & Grave, J. (eds.). Hannover: Wehrhahn Verlag, p. 209-222 14 p. (Ästhetische Eigenzeiten; vol. 10).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  21. Published

    Das Interface der Selbstverborgenheit: Szenarien des Intuitiven in Mensch-Roboter Kollaborationen

    Kasprowicz, D., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 159-186 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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