Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Published
A Single Swing of the Shovel: Former West Proxies
Levin, B. & Tollmann, V., 2016, Former West: Art and the Contemporary after 1989. Hlavajova, M. & Sheikh, S. (eds.). Cambridge MA: The MIT Press, p. 519-534 16 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Assistenz
Müggenburg, J. K., 2020, Technikanthropologie: Handbuch für Wissenschaft und Studium. Heßler, M. & Liggieri, K. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 411-415 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Assistenz für wen? Autonomes Fahren zwischen Norm und Variabilität
Stock, R. & Müggenburg, J., 20.10.2021, Autonome Autos: Medien- und kulturwissenschaftliche Perspektiven auf die Zukunft der Mobilität. Sprenger, F. (ed.). Bielefeld: transcript Verlag, p. 339-358 20 p. (Digitale Gesellschaft; vol. 32).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Ästhetik des Digitalen: Das Digitale und die Berechenbarkeit
Warnke, M., 2014, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft . 59, 2, p. 278-286 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Ästhetik des Digitalen
Warnke, M., 2011, Kultur digital: Begriffe, Hintergründe, Beispiele. Graber, H., Landwehr, D. & Sellier, V. (eds.). Basel: Christoph Merian Verlag, p. 145-160 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
As You Like It: Critique in the Era of an Affirmative Discourse
Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
A Thinking of Suspension: Melancholy and Politics Where There Is No Epoch
Hörl, E. & Schott, N. F. (Translator), 08.02.2024, On Bernard Stiegler: Philosopher of Friendship. Nancy, J.-L. (ed.). 1 ed. London: Bloomsbury Academic, p. 63-80 18 p.Research output: Contributions to collected editions/works › Chapter
- Published
Atomic Animals: Tiere als Medien nuklearer Forschung
Vehlken, S., 26.10.2020, In: Tierstudien. 18, p. 45-56 12 p.Research output: Journal contributions › Journal articles › Research
- Published
Attuning to What? The Uncanny Revival of the Aestheticization of Politics
Fuchs, M., 2020, Affective Transformations: Politics-Algorithms-Media. Bösel, B. & Wiemer, S. (eds.). Lüneburg: meson press, p. 201-210 10 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Audiogestaltung und neue Medien: das Lüneburger Projekt "ästhetische Strategien in Multimedia und digitalen Netzen"
Großmann, R., 2000, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 161, 5, p. 50-51 2 p.Research output: Journal contributions › Journal articles › Research