Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    A Single Swing of the Shovel: Former West Proxies

    Levin, B. & Tollmann, V., 2016, Former West: Art and the Contemporary after 1989. Hlavajova, M. & Sheikh, S. (eds.). Cambridge MA: The MIT Press, p. 519-534 16 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  2. Published

    Assistenz

    Müggenburg, J. K., 2020, Technikanthropologie: Handbuch für Wissenschaft und Studium. Heßler, M. & Liggieri, K. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 411-415 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Assistenz für wen? Autonomes Fahren zwischen Norm und Variabilität

    Stock, R. & Müggenburg, J., 20.10.2021, Autonome Autos: Medien- und kulturwissenschaftliche Perspektiven auf die Zukunft der Mobilität. Sprenger, F. (ed.). Bielefeld: transcript Verlag, p. 339-358 20 p. (Digitale Gesellschaft; vol. 32).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Ästhetik des Digitalen: Das Digitale und die Berechenbarkeit

    Warnke, M., 2014, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft . 59, 2, p. 278-286 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Ästhetik des Digitalen

    Warnke, M., 2011, Kultur digital: Begriffe, Hintergründe, Beispiele. Graber, H., Landwehr, D. & Sellier, V. (eds.). Basel: Christoph Merian Verlag, p. 145-160 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    As You Like It: Critique in the Era of an Affirmative Discourse

    Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    A Thinking of Suspension: Melancholy and Politics Where There Is No Epoch

    Hörl, E. & Schott, N. F. (Translator), 08.02.2024, On Bernard Stiegler: Philosopher of Friendship. Nancy, J.-L. (ed.). 1 ed. London: Bloomsbury Academic, p. 63-80 18 p.

    Research output: Contributions to collected editions/worksChapter

  8. Published

    Atomic Animals: Tiere als Medien nuklearer Forschung

    Vehlken, S., 26.10.2020, In: Tierstudien. 18, p. 45-56 12 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Attuning to What? The Uncanny Revival of the Aestheticization of Politics

    Fuchs, M., 2020, Affective Transformations: Politics-Algorithms-Media. Bösel, B. & Wiemer, S. (eds.). Lüneburg: meson press, p. 201-210 10 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  10. Published
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