Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2012
Knacken, Rauschen, Bandsalat. Zur Ästhetik analoger Störung im digitalen Sound.
Hardjowirogo, S. (Speaker)
14.07.2012Activity: Talk or presentation › Conference Presentations › Research
39th Annual Meeting of the International Committee for the History of Technology (ICOHTEC)
Müggenburg, J. (Speaker) & Vehlken, S. (Speaker)
10.07.2012 → 14.07.2012Activity: Talk or presentation › Conference Presentations › Research
Neue Medien in der Informationsgesellschaft - NMI 2012
Warnke, M. (Speaker)
05.07.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
9th International Conference on Crossroads in Cultural Studies 2012
Thomas, T. (Speaker)
07.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
Vortragsreihe "10 Minuten Philosophie" (2012)
Müggenburg, J. (Speaker)
12.06.2012Activity: Talk or presentation › Guest lectures › Research
Media Across Borders: The 1st International Conference on the Localisation of Film, Television and Video Games 2012
Stehling, M. (Opponent)
09.06.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
Was heißt Kulturtechnik?
Vehlken, S. (Speaker)
08.06.2012Activity: Talk or presentation › Guest lectures › Research
62nd Annual Conference of the International Communication Association - ICA 2012
Grittmann, E. (Speaker)
24.05.2012 → 28.05.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
n-1. Swarming zwischen kollektiver Kollaboration und Computersimulation
Vehlken, S. (Lecturer)
19.05.2012Activity: Talk or presentation › Guest lectures › Transfer
Lokale Wunden, globale Trauer – Gedenken an 9/11 als globaler ‚Lieu de Mémoire’
Grittmann, E. (Speaker)
16.05.2012 → 18.05.2012Activity: Talk or presentation › Conference Presentations › Research