Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

111 - 120 out of 963Page size: 10
  1. Conference Presentations
  2. Lokale Wunden, globale Trauer – Gedenken an 9/11 als globaler ‚Lieu de Mémoire’

    Grittmann, E. (Speaker)

    16.05.201218.05.2012

    Activity: Talk or presentationConference PresentationsResearch

  3. Material(ität) und Klang(lichkeit) – Auf der Suche nach einer Neubestimmung musikästhetischer Grundbegriffe

    Großmann, R. (Speaker)

    09.11.2018

    Activity: Talk or presentationConference PresentationsResearch

  4. Medienwerk und Konsumobjekt - Thesen zu einer Ästhetik der medialen Existenz von Musik 2000

    Großmann, R. (Speaker)

    06.05.2000

    Activity: Talk or presentationConference PresentationsResearch

  5. MIDI-Geschichte(n)

    Großmann, R. (Speaker)

    04.07.201306.07.2013

    Activity: Talk or presentationConference PresentationsResearch

  6. Mobile Media Practice and Social Movements in Pakistan and Seoul

    Leistert, O. (Speaker)

    12.10.201015.10.2010

    Activity: Talk or presentationConference PresentationsResearch

  7. Moderation: Aesthetic Normativity in Music

    Großmann, R. (Speaker)

    28.09.202101.10.2021

    Activity: Talk or presentationConference PresentationsResearch

  8. Neural Initiatives: Neuropolitics, Technoscience, and the Dynamic Brain

    Müggenburg, J. (Speaker)

    21.02.201422.02.2014

    Activity: Talk or presentationConference PresentationsResearch

  9. NumaRete would count no more! Von Wahrnehmungsmaschinen, biologischen Systemen und dem Vorführeffekt.

    Müggenburg, J. (Speaker)

    12.07.200714.07.2007

    Activity: Talk or presentationConference PresentationsResearch

  10. On Borders, Boundaries, Clouds, and Globalization. And on China.

    Warnke, M. (Speaker)

    30.01.2019

    Activity: Talk or presentationConference PresentationsResearch

Previous 1...8 9 10 11 12 13 14 15 ...97 Next

Recently viewed