School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. 2020
  2. Published

    Provenance Research in Museums: The Long Run

    Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Queer Berlin and the Covid-19 Crisis: A Politics of Contact and Ethics of Care

    Trott, B., 2020, In: Interface: A Journal for and About Social Movements. 12, 1, p. 88-108 21 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published
  5. Published

    Radverkehrsförderung 3.0: Barrierefrei, netztransparent, digital - Teil 2; Radverkehr, Verkehrsmittelwahl, Stadtverkehr, Verkehrsplanung

    Pez, P. & Seidel, A., 2020, In: Internationales Verkehrswesen. 72, 4, p. 16-20 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Scenes of Indifference: The Addressee of the Adventure

    Lagaay, A. & Rauch, M. F., 2020, In: Ethics and Politics. 22, 3, p. 87–108 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Schwebende Infrastrukturen: Project Loons extraterritoriale Ballons und die Medien der Stratosphäre

    Zindel, H., 2020, In: Zeitschrift für Medienwissenschaft. 23, 2, p. 153–167 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    The Case of Willetta Huggins

    Wiechern, A.-L., 2020, Stimmen Hören. Klaut, M., Schnödl, G. & Pias, C. (eds.). Berlin: ciconia ciconia Verlag, p. 277-284 8 p. (Ciconia ciconia; vol. 34).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    The Instrument as Medium: Phonographic Work

    Großmann, R., 2020, The Bloomsbury Handbook of Sound Art. Krogh Groth, S. & Schulze, H. (eds.). 1 ed. London: Bloomsbury Academic, p. 436-445 10 p. 23. (Bloomsbury handbooks).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"

    Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    The 'West' versus 'the Rest'? Festival Curators as Gatekeepers for Sociocultural Diversity

    Gaupp, L., 2020, Managing Culture: Reflecting on exchange in global times. Durrer, V. & Henze, R. (eds.). Cham: Palgrave Macmillan, p. 127-153 27 p. (Sociology of the Arts).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review