Walt O’Disney and the Little People: Playing to the Irish-American Diaspora
Research output: Contributions to collected editions/works › Chapter › peer-review
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On Disney: Deconstructing Images, Tropes and Narratives. ed. / Ute Dettmar; Ingrid Tomkowiak. Berlin, Heidelberg: J.B. Metzler, 2022. p. 115-129 (Studien zu Kinder- und Jugendliteratur und -medien; Vol. 9).
Research output: Contributions to collected editions/works › Chapter › peer-review
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TY - CHAP
T1 - Walt O’Disney and the Little People
T2 - Playing to the Irish-American Diaspora
AU - O'Sullivan, Emer
N1 - © The Author(s), under exclusive license to Springer-Verlag GmbH, DE, part of Springer Nature 2022
PY - 2022/1/1
Y1 - 2022/1/1
N2 - Darby O’Gill and The Little People, Disney’s 1959 live-action Irish-themed family film, features Irish folklore in the shape of leprechauns, banshees and other supernatural figures. The company had their eye firmly on the market of twenty million Irish Americans, and the extensive pre-publicity for this transatlantic ethnotypical film included Walt Disney embracing a diasporic Irish identity by presenting himself as ‘half Irish.’ He also claimed to have deployed actual leprechauns in the film. Through an imagological, cultural discourse analysis lens, this paper examines the paratextual and textual performances and representations of Irishness in Darby O’Gill in the context of Irish-American culture and its popular traditions. It asks why, contrary to Disney’s hopes, it did not enjoy the success of other notable US Irish-themed films of the era, and probes the Irish involvement in and reception of Disney’s ‘Irish’ film.
AB - Darby O’Gill and The Little People, Disney’s 1959 live-action Irish-themed family film, features Irish folklore in the shape of leprechauns, banshees and other supernatural figures. The company had their eye firmly on the market of twenty million Irish Americans, and the extensive pre-publicity for this transatlantic ethnotypical film included Walt Disney embracing a diasporic Irish identity by presenting himself as ‘half Irish.’ He also claimed to have deployed actual leprechauns in the film. Through an imagological, cultural discourse analysis lens, this paper examines the paratextual and textual performances and representations of Irishness in Darby O’Gill in the context of Irish-American culture and its popular traditions. It asks why, contrary to Disney’s hopes, it did not enjoy the success of other notable US Irish-themed films of the era, and probes the Irish involvement in and reception of Disney’s ‘Irish’ film.
KW - Literature studies
KW - Walt Disney
KW - Irishness
KW - Leprechauns
KW - Imagology
KW - Darby O’Gill and the Little People
UR - https://d-nb.info/1244561541
UR - https://link.springer.com/book/10.1007/978-3-662-64625-0
UR - https://www.mendeley.com/catalogue/701f3384-c601-33d0-92a9-fac6dc9d5122/
U2 - 10.1007/978-3-662-64625-0_8
DO - 10.1007/978-3-662-64625-0_8
M3 - Chapter
SN - 978-3-662-64624-3
SN - 978-3-662-64626-7
T3 - Studien zu Kinder- und Jugendliteratur und -medien
SP - 115
EP - 129
BT - On Disney
A2 - Dettmar, Ute
A2 - Tomkowiak, Ingrid
PB - J.B. Metzler
CY - Berlin, Heidelberg
ER -