Walt O’Disney and the Little People: Playing to the Irish-American Diaspora

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Standard

Walt O’Disney and the Little People : Playing to the Irish-American Diaspora. / O'Sullivan, Emer.

On Disney: Deconstructing Images, Tropes and Narratives. Hrsg. / Ute Dettmar; Ingrid Tomkowiak. Berlin, Heidelberg : J.B. Metzler, 2022. S. 115-129 (Studien zu Kinder- und Jugendliteratur und -medien; Band 9).

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Harvard

O'Sullivan, E 2022, Walt O’Disney and the Little People: Playing to the Irish-American Diaspora. in U Dettmar & I Tomkowiak (Hrsg.), On Disney: Deconstructing Images, Tropes and Narratives. Studien zu Kinder- und Jugendliteratur und -medien, Bd. 9, J.B. Metzler, Berlin, Heidelberg, S. 115-129. https://doi.org/10.1007/978-3-662-64625-0_8

APA

O'Sullivan, E. (2022). Walt O’Disney and the Little People: Playing to the Irish-American Diaspora. in U. Dettmar, & I. Tomkowiak (Hrsg.), On Disney: Deconstructing Images, Tropes and Narratives (S. 115-129). (Studien zu Kinder- und Jugendliteratur und -medien; Band 9). J.B. Metzler. https://doi.org/10.1007/978-3-662-64625-0_8

Vancouver

O'Sullivan E. Walt O’Disney and the Little People: Playing to the Irish-American Diaspora. in Dettmar U, Tomkowiak I, Hrsg., On Disney: Deconstructing Images, Tropes and Narratives. Berlin, Heidelberg: J.B. Metzler. 2022. S. 115-129. (Studien zu Kinder- und Jugendliteratur und -medien). doi: 10.1007/978-3-662-64625-0_8

Bibtex

@inbook{c83fc23b58cf44919a331a30ce1259d2,
title = "Walt O{\textquoteright}Disney and the Little People: Playing to the Irish-American Diaspora",
abstract = "Darby O{\textquoteright}Gill and The Little People, Disney{\textquoteright}s 1959 live-action Irish-themed family film, features Irish folklore in the shape of leprechauns, banshees and other supernatural figures. The company had their eye firmly on the market of twenty million Irish Americans, and the extensive pre-publicity for this transatlantic ethnotypical film included Walt Disney embracing a diasporic Irish identity by presenting himself as {\textquoteleft}half Irish.{\textquoteright} He also claimed to have deployed actual leprechauns in the film. Through an imagological, cultural discourse analysis lens, this paper examines the paratextual and textual performances and representations of Irishness in Darby O{\textquoteright}Gill in the context of Irish-American culture and its popular traditions. It asks why, contrary to Disney{\textquoteright}s hopes, it did not enjoy the success of other notable US Irish-themed films of the era, and probes the Irish involvement in and reception of Disney{\textquoteright}s {\textquoteleft}Irish{\textquoteright} film.",
keywords = "Literature studies, Walt Disney, Irishness, Leprechauns, Imagology, Darby O{\textquoteright}Gill and the Little People",
author = "Emer O'Sullivan",
note = "{\textcopyright} The Author(s), under exclusive license to Springer-Verlag GmbH, DE, part of Springer Nature 2022",
year = "2022",
month = jan,
day = "1",
doi = "10.1007/978-3-662-64625-0_8",
language = "English",
isbn = "978-3-662-64624-3",
series = "Studien zu Kinder- und Jugendliteratur und -medien",
publisher = "J.B. Metzler",
pages = "115--129",
editor = "Dettmar, {Ute } and Tomkowiak, {Ingrid }",
booktitle = "On Disney",
address = "Germany",

}

RIS

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T2 - Playing to the Irish-American Diaspora

AU - O'Sullivan, Emer

N1 - © The Author(s), under exclusive license to Springer-Verlag GmbH, DE, part of Springer Nature 2022

PY - 2022/1/1

Y1 - 2022/1/1

N2 - Darby O’Gill and The Little People, Disney’s 1959 live-action Irish-themed family film, features Irish folklore in the shape of leprechauns, banshees and other supernatural figures. The company had their eye firmly on the market of twenty million Irish Americans, and the extensive pre-publicity for this transatlantic ethnotypical film included Walt Disney embracing a diasporic Irish identity by presenting himself as ‘half Irish.’ He also claimed to have deployed actual leprechauns in the film. Through an imagological, cultural discourse analysis lens, this paper examines the paratextual and textual performances and representations of Irishness in Darby O’Gill in the context of Irish-American culture and its popular traditions. It asks why, contrary to Disney’s hopes, it did not enjoy the success of other notable US Irish-themed films of the era, and probes the Irish involvement in and reception of Disney’s ‘Irish’ film.

AB - Darby O’Gill and The Little People, Disney’s 1959 live-action Irish-themed family film, features Irish folklore in the shape of leprechauns, banshees and other supernatural figures. The company had their eye firmly on the market of twenty million Irish Americans, and the extensive pre-publicity for this transatlantic ethnotypical film included Walt Disney embracing a diasporic Irish identity by presenting himself as ‘half Irish.’ He also claimed to have deployed actual leprechauns in the film. Through an imagological, cultural discourse analysis lens, this paper examines the paratextual and textual performances and representations of Irishness in Darby O’Gill in the context of Irish-American culture and its popular traditions. It asks why, contrary to Disney’s hopes, it did not enjoy the success of other notable US Irish-themed films of the era, and probes the Irish involvement in and reception of Disney’s ‘Irish’ film.

KW - Literature studies

KW - Walt Disney

KW - Irishness

KW - Leprechauns

KW - Imagology

KW - Darby O’Gill and the Little People

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T3 - Studien zu Kinder- und Jugendliteratur und -medien

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BT - On Disney

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PB - J.B. Metzler

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ER -

DOI