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Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’

Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review

Standard

Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’. / Kuchar, Robin.
Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. ed. / Paula Guerra; Andy Bennett. Porto: Universidade Porto, 2018. p. 157-157.

Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review

Harvard

Kuchar, R 2018, Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’. in P Guerra & A Bennett (eds), Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. Universidade Porto, Porto, pp. 157-157, 4th Keep it Simple Make it Fast! - KISMIF 2018, Porto, Portugal, 04.07.18.

APA

Kuchar, R. (2018). Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’. In P. Guerra, & A. Bennett (Eds.), Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts (pp. 157-157). Universidade Porto.

Vancouver

Kuchar R. Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’. In Guerra P, Bennett A, editors, Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. Porto: Universidade Porto. 2018. p. 157-157

Bibtex

@inbook{ff96e408ce4747c0a5eb58c20d299649,
title = "Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and {\textquoteleft}Subcultural Institutionalization{\textquoteright}",
abstract = "Taking into account broader processes of urban regeneration, the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes, the paper examines how originally DIY based music venues as spaces of alternative cultural practices handle ongoing transformations within their surrounding environment.Therefore, the paper presents some results gathered from three case studies undertaken in Hamburg St. Pauli in 2017. As the fieldwork around Golden Pudel, Molotow and Mojo Club shows, each actor applies different strategies in order to preserve their basing – and individual - idea(l)s of self-governed cultural work. Over time, there can be observed considerable changes regarding self-conceptions, practices and socio-political positioning – from strictly adhering DIY values to take over rather established roles in local policy. Developments lead to new forms and levels of (in-)dependence, (il)legitimate professionalization and a kind of {\textquoteleft}subcultural institutionalization{\textquoteright}, what in matters of DIY spaces seems to be quite paradoxical.",
keywords = "Cultural Distribution/Cultural Organization",
author = "Robin Kuchar",
year = "2018",
month = jul,
language = "English",
pages = "157--157",
editor = "Paula Guerra and Andy Bennett",
booktitle = "Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts",
publisher = "Universidade Porto",
address = "Portugal",
note = "4th Keep it Simple Make it Fast! - KISMIF 2018 : Gender, Differences, Identities and DIY Cultures., KISMIF 2018 ; Conference date: 04-07-2018 Through 07-07-2018",
url = "https://www.kismifconference.com/en/about/",

}

RIS

TY - CHAP

T1 - Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’

AU - Kuchar, Robin

N1 - Conference code: 4

PY - 2018/7

Y1 - 2018/7

N2 - Taking into account broader processes of urban regeneration, the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes, the paper examines how originally DIY based music venues as spaces of alternative cultural practices handle ongoing transformations within their surrounding environment.Therefore, the paper presents some results gathered from three case studies undertaken in Hamburg St. Pauli in 2017. As the fieldwork around Golden Pudel, Molotow and Mojo Club shows, each actor applies different strategies in order to preserve their basing – and individual - idea(l)s of self-governed cultural work. Over time, there can be observed considerable changes regarding self-conceptions, practices and socio-political positioning – from strictly adhering DIY values to take over rather established roles in local policy. Developments lead to new forms and levels of (in-)dependence, (il)legitimate professionalization and a kind of ‘subcultural institutionalization’, what in matters of DIY spaces seems to be quite paradoxical.

AB - Taking into account broader processes of urban regeneration, the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes, the paper examines how originally DIY based music venues as spaces of alternative cultural practices handle ongoing transformations within their surrounding environment.Therefore, the paper presents some results gathered from three case studies undertaken in Hamburg St. Pauli in 2017. As the fieldwork around Golden Pudel, Molotow and Mojo Club shows, each actor applies different strategies in order to preserve their basing – and individual - idea(l)s of self-governed cultural work. Over time, there can be observed considerable changes regarding self-conceptions, practices and socio-political positioning – from strictly adhering DIY values to take over rather established roles in local policy. Developments lead to new forms and levels of (in-)dependence, (il)legitimate professionalization and a kind of ‘subcultural institutionalization’, what in matters of DIY spaces seems to be quite paradoxical.

KW - Cultural Distribution/Cultural Organization

UR - https://www.kismifconference.com/wp-content/uploads/2018/09/KISMIF-2018_-Book-of-Abstracts.pdf

M3 - Published abstract in conference proceedings

SP - 157

EP - 157

BT - Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts

A2 - Guerra, Paula

A2 - Bennett, Andy

PB - Universidade Porto

CY - Porto

T2 - 4th Keep it Simple Make it Fast! - KISMIF 2018

Y2 - 4 July 2018 through 7 July 2018

ER -

Other publications by the same author(s)

From DIY avantgardism to icons of German New Wave: Einstürzende Neubauten and the legacy of ‘Ingenious Dilletants’

Kuchar, R., 2024, In: Rock Music Studies. 11, 1, p. 71-88 18 p.

Research output: Journal contributions › Journal articles › Research › peer-review

Building Scene and Cultural Memory in the Weser Hills. The Case of Glitterhouse Records and Orange Blossom Special Festival

Kuchar, R., 22.03.2023, Popular Music Scenes : Regional and Rural Perspectives . Bennett, A., Cashman, D., Green, B. & Lewandowski, N. (eds.). Cham: Palgrave Macmillan, p. 163-178 16 p. (Pop Music, Culture, and Identity; vol. Part F1535).

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Independent Music and Independent Music Scenes. From DIY led Collectives to Individualized Professionals?

Kuchar, R., 26.01.2023, The Bloomsbury Handbook of Popular Music and Youth Cultures. Bennett, A. (ed.). London: Bloomsbury Academic, p. 567-592 25 p.

Research output: Contributions to collected editions/works › Chapter › peer-review

Musikclubs in der Livemusikökologie: Situation und kulturpolitische Implikationen in Zeiten der Pandemie

Kuchar, R., 20.06.2023, KULTUR:WANDEL: Impulse für die Next Society. Grädler, F., Blaich, A., Mohr, H. & Seibold, H. (eds.). Bielefeld: transcript Verlag, p. 111-122 12 p.

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

Vom stadträumlichen Pionier zur Kulturstätte inmitten der Pandemie. Musikclubs als (sozial-)räumliche Akteure urbaner Musikökosysteme

Kuchar, R., 06.2023, In: Standort. 47, 2, p. 127-135 9 p.

Research output: Journal contributions › Journal articles › Transfer › peer-review

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