Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’
Publikation: Beiträge in Sammelwerken › Abstracts in Konferenzbänden › Forschung › begutachtet
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Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’. / Kuchar, Robin.
Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. Hrsg. / Paula Guerra; Andy Bennett. Porto : Universidade Porto, 2018. S. 157-157.Publikation: Beiträge in Sammelwerken › Abstracts in Konferenzbänden › Forschung › begutachtet
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TY - CHAP
T1 - Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’
AU - Kuchar, Robin
N1 - Conference code: 4
PY - 2018/7
Y1 - 2018/7
N2 - Taking into account broader processes of urban regeneration, the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes, the paper examines how originally DIY based music venues as spaces of alternative cultural practices handle ongoing transformations within their surrounding environment.Therefore, the paper presents some results gathered from three case studies undertaken in Hamburg St. Pauli in 2017. As the fieldwork around Golden Pudel, Molotow and Mojo Club shows, each actor applies different strategies in order to preserve their basing – and individual - idea(l)s of self-governed cultural work. Over time, there can be observed considerable changes regarding self-conceptions, practices and socio-political positioning – from strictly adhering DIY values to take over rather established roles in local policy. Developments lead to new forms and levels of (in-)dependence, (il)legitimate professionalization and a kind of ‘subcultural institutionalization’, what in matters of DIY spaces seems to be quite paradoxical.
AB - Taking into account broader processes of urban regeneration, the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes, the paper examines how originally DIY based music venues as spaces of alternative cultural practices handle ongoing transformations within their surrounding environment.Therefore, the paper presents some results gathered from three case studies undertaken in Hamburg St. Pauli in 2017. As the fieldwork around Golden Pudel, Molotow and Mojo Club shows, each actor applies different strategies in order to preserve their basing – and individual - idea(l)s of self-governed cultural work. Over time, there can be observed considerable changes regarding self-conceptions, practices and socio-political positioning – from strictly adhering DIY values to take over rather established roles in local policy. Developments lead to new forms and levels of (in-)dependence, (il)legitimate professionalization and a kind of ‘subcultural institutionalization’, what in matters of DIY spaces seems to be quite paradoxical.
KW - Cultural Distribution/Cultural Organization
UR - https://www.kismifconference.com/wp-content/uploads/2018/09/KISMIF-2018_-Book-of-Abstracts.pdf
M3 - Published abstract in conference proceedings
SP - 157
EP - 157
BT - Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts
A2 - Guerra, Paula
A2 - Bennett, Andy
PB - Universidade Porto
CY - Porto
T2 - 4th Keep it Simple Make it Fast! - KISMIF 2018
Y2 - 4 July 2018 through 7 July 2018
ER -