Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
- 2018
„Theatertechnik im Archiv am Beispiel von Piscators Bühnenkonzeptionen“.
Woisnitza, M. (Speaker)
08.11.2018 → 11.11.2018Activity: Talk or presentation › Conference Presentations › Research
Studienbrief für das Mastermodul Performativität der Fakultät Kultur- und Sozialwissenschaft, FernUniversität Hagen.
Woisnitza, M. (Consultant) & Wälchli, T. (Consultant)
10.2018 → 02.2019Activity: Consultancy
“Staging New Realities: Piscator’s Theater of Montage in the Wake of World War I”.
Woisnitza, M. (Speaker)
13.09.2018 → 15.09.2018Activity: Talk or presentation › Conference Presentations › Research
“Staging Venice (as protagonist?) – Max Reinhardt’s Merchant of Venice (1905-1934)”.
Woisnitza, M. (Speaker)
08.06.2018 → 10.06.2018Activity: Talk or presentation › Conference Presentations › Research
Fotogramm und Faktur
Neugärtner, S. (Speaker)
06.06.2018Activity: Talk or presentation › Conference Presentations › Research
Reforming the Formless
Kölmel, M.-J. (Speaker)
14.05.2018Activity: Talk or presentation › Guest lectures › Transfer
Association for Art History Annual Conference - 2018
Kölmel, M.-J. (Organiser) & Hegenbart, D. S. (Organiser)
07.04.2018Activity: Participating in or organising an academic or articstic event › Conferences › Transfer
„‚Hohe Bilder vor der Seele‘: Kleists Dramaturgie kollektiv-politischer Einbildungskraft unter dem Einfluss der ‚Kantischen Philosophie‘“.
Woisnitza, M. (Speaker)
01.03.2018 → 02.03.2018Activity: Talk or presentation › Conference Presentations › Research
International Conference 2018 - Narrating Culture(s) in Museums and Exhibitions
Leeb, S. (Organiser) & Söntgen, B. (Organiser)
18.01.2018 → 19.01.2018Activity: Participating in or organising an academic or articstic event › Conferences › Research
- 2017
Kulturen der Kritik Conference - 2017
Heymer, E. (Organiser)
29.11.2017 → 01.12.2017Activity: Participating in or organising an academic or articstic event › Conferences › Research