Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Selbstreflexive Autorsysteme
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 41, p. 49-56 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Segment Introduction
Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).Research output: Contributions to collected editions/works › Other › Research
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Science and Technology Studies: Die Materialität des wissenschaftlichen Vortrags
Weinert, A., 06.2018, 10 Minuten Soziologie: Materialität. Henkel, A. (ed.). Bielefeld: transcript Verlag, p. 93-106 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Schweigeverhältnisse überstimmen oder Mit den Füssen denken: Angela Melitopoulos im Gespräch mit Susanne Leeb
Leeb, S., 03.2017, In: Texte zur Kunst. 2017, 105, p. 63-71 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Schönheit im ästhetischen Kapitalismus
Wuggenig, U., 07.2015, In: Art Education Research. 6, 10, p. 1-6 6 p.Research output: Journal contributions › Journal articles › Transfer
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Schlemmer, Oskar
Mordhorst, S., 2017, Das große Tanzlexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 2 ed. Laaber: Laaber Verlag, p. 543-544 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Schichtungen: Zur Malerei von Thomas Scheibitz
Söntgen, B., 2012, Thomas Scheibitz. One Time Pad: One Time Pad. Gaensheimer, S. (ed.). Berlin: Verlag der Buchhandlung Walther König, p. 77-89 13 p.Research output: Contributions to collected editions/works › Other › Transfer
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Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO
Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Schema
Andermann, K., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 353-354 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Schellings subjektivitätskritik
STURMA, D., 01.01.1996, In: Deutsche Zeitschrift fur Philosophie. 44, 3, p. 429-446 18 p.Research output: Journal contributions › Journal articles › Research › peer-review