Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Dubious Friendships: On the "(Re)Construction of Friendships" exhibition in Riga
Gerhardt, U., 2014, In: KUNST.EE. . 2014, 4, p. 49-52 4 p., VII.Research output: Journal contributions › Critical reviews › Research
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New Perspectives on the Socialist Past: Notes on the Potential of Generational Experiences in Dialog
Bogdanovic, A. & Gerhardt, U., 05.2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 198 - 208 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Narratologies: An Introduction
Falb, D. & Gerhardt, U., 04.2015, Post-Studio Tales. Falb, D., Gerhardt, U., Heckel, F. & Beeson, J. (eds.). Hamburg: Textem Verlag, p. 5 - 18 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Martin Saar, Die Immanenz der Macht. Politische Theorie nach Spinoza. Berlin: Suhrkamp 2013
Andermann, K., 06.2015, In: Zeitschrift für Philosophische Literatur. 3, 2, p. 49–64 16 p.Research output: Journal contributions › Critical reviews › Research
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Mamma Mia: Über Michaela Meise im Künstlerhaus Bethanien, Berlin
Söntgen, B., 03.2015, In: Texte zur Kunst. 25, 97, p. 237 - 241 5 p.Research output: Journal contributions › Critical reviews › Research
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Übertragungen: Emotion und Kommunikation bei Chardin
Söntgen, B., 2015, Von Poussin bis Manet: Die Farben Frankreichs. A.-M. B. R. (ed.). München: Hirmer, p. 47 - 57 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter
Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Arbiträre und das Universelle: Über Pierre Bourdieus Soziologie der Kunst
Wuggenig, U., 2015, Pierre Bourdieu. Kunst und Kultur: Kunst und künstlerisches Feld. Schriften zur Kultursoziologie 4. Schultheis, F. & Egger, S. (eds.). Berlin: Suhrkamp Verlag, Vol. 12.2. p. 480-546 67 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Abstraktion als internationale Sprache
Leeb, S. A., 2009, Kunst und Kalter Krieg: Deutsche Positionen 1945-1989. Barron, S. & Eckmann, S. (eds.). Köln: DuMont Literatur und Kunst Verlag, p. 118-133 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Flucht nach nicht ganz vorn: Geschichte in der Kunst der Gegenwart
Leeb, S. A., 2009, In: Texte zur Kunst. 76, p. 28-44 17 p.Research output: Journal contributions › Journal articles › Research › peer-review