Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 1999
  2. Published

    Size does matter

    Warnke, M., 1999, Virtual Space Explorers: Experimente im Datenraum. Gramelsberger, G. & Klein, M. (eds.). 1 ed. Frankfurt/Main: INM - Institut für neue Medien, p. 38-45 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Zukunft schreiben: Science Fiction und andere Zeitmaschinen

    Hickethier, K. & Spreen, D., 1999, Berlin: Ästhetik & Kommunikation e.V. 124 p. (Ästhetik & Kommunikation; vol. 104)

    Research output: Books and anthologiesSpecial Journal issueResearch

  4. 1998
  5. Published

    Eine digitale Ordnung der Dinge

    Warnke, M., 1998, Umarmungen.../Embraces – Anna Oppermanns Ensemble "Umarmungen, Unerklärliches und eine Gedichtzeile von R.M.R.": Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk. Warnke, M. & Hossmann, H. (eds.). Frankfurt/Main: Stroemfeld, p. 14-21 8 p. (Roter Stern).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    "Et mundus hoc est homo" : Von einer sehr alten, nun wieder virtuellen Weltkarte

    Warnke, M., 1998, In: Zeitschrift für Semiotik. 20, 1-2, p. 119-132 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Tausch, Technik, Krieg: Die Geburt der Gesellschaft im technisch-medialen Apriori

    Spreen, D., 1998, Berlin: Argument Verlag. 199 p. (Argument-Sonderband; vol. N.F. 261)

    Research output: Books and anthologiesMonographsResearchpeer-review

  8. Published

    Umarmungen.../Embraces – Anna Oppermanns Ensemble "Umarmungen, Unerklärliches und eine Gedichtzeile von R.M.R.": Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk

    Wedemeyer, C. (Editor), Warnke, M. (Editor) & Hossmann, H. (Editor), 1998, Frankfurt/Main: Stroemfeld.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. 1997
  10. Published

    Computer als Medium (Hyperkult VI)

    Großmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Das Medium in Turings Maschine

    Warnke, M., 1997, HyperKult: Geschichte, Theorie und Kontext digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Basel: Stroemfeld, p. 69-82 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Digitale Schreibzeuge

    Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. Published

    HyperKult: Geschichte, Theorie und Kontext digitaler Medien

    Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 1997, Basel: Stroemfeld. 520 p. (Nexus; no. 41)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  14. Published

    Online-Verstrickungen: Immanenzen und Ambivalenzen

    Spreen, D. (Editor), 1997, 1 ed. Berlin: Ästhetik & Kommunikation e.V. 125 p. (Ästhetik & Kommunikation; vol. 26, no. 96)

    Research output: Books and anthologiesSpecial Journal issueResearch

  15. Published

    Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997

    Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  16. 1995
  17. Published

    Computer als Medium (Hyperkult V)

    Warnke, M., 1995, In: Zeitschrift für Semiotik. 17, 3-4, p. 474-475 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  18. Published

    "Du kannst nicht sehen, was Du nicht erklären kannst«

    Warnke, M., 1995, Weltbilder, Bildwelten: Computergestützte Visionen. Dencker, K. P. (ed.). Hamburg: Hans-Bredow-Institut für Medienforschung an der Universität Hamburg, p. 6-9 4 p. (Interface; vol. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  19. 1994
  20. Published

    Vorwort

    Warnke, M. & Bogh Andersen, P., 1994, In: Zeitschrift für Semiotik. 16, 1-2, p. 3-4 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  21. 1993
  22. Published

    Computer als Medium

    Warnke, M., 1993, In: Zeitschrift für Semiotik. 15, 3-4, p. 448-449 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  23. 1992
  24. Published

    Die Ebstorfer Weltkarte: Der Computer als Medium für selbstbestimmtes Lernen

    Warnke, M., 1992, In: Computer + Unterricht. 2, 5, p. 27-31 5 p.

    Research output: Journal contributionsJournal articlesResearch

  25. Published

    Workshop über "Hypersystem-Konzepte in Medien und kultureller Produktion"

    Warnke, M., 1992, In: Zeitschrift für Semiotik. 14, 1-2, p. 151-153 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  26. Published

    Zur Informatisierung von Kunst und Kultur

    Warnke, M., Müller, G., Langenheder, W. & Schinzel, B., 1992, Informatik cui bono?: GI-FB 8 Fachtagung, Freiburg, 23.-26. September 1992, Proceedings. Langenheder, W., Müller, G. & Schinzel, B. (eds.). Springer Verlag, p. 202-207 5 p. (Informatik aktuell).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  27. 1991
  28. Published

    Informatik: elementare Einführung in Entwurf, Analyse und maschinelle Verarbeitung von Algorithmen

    Warnke, M., 1991, 2. ed. München: Oldenbourg Schulbuchverl. 235 p.

    Research output: Books and anthologiesMonographsResearch