Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2019
  2. Published

    Umweltlich-Werden. Zur Kritik der environmentalitären Macht-, Welt- und Kapitalform

    Hörl, E., 2019, Hybride Ökologien. S. W., Kesting, M., Muhle, M. & Nachtigall, J. (eds.). Zürich: Diaphanes Verlag, p. 213-226 14 p. (Schriftenreihe des cx centrum für Interdisziplinäre Studien der Akademie der Bildenden Künste München).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Widerstand der Tiere

    Müggenburg, J. K., 2019, Das verdatete Tier.: Zum Animal Turn in den Kultur- und Medienwissenschaften. Bolinski, I. & Rieger, S. (eds.). Stuttgart: J.B. Metzler, p. 123–136 14 p. (Cultural Animal Studies).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. 2018
  5. Published

    Stille, Geräusch, Rauschen: Ästhetische und medientechnische Anmerkungen

    Großmann, R., 06.12.2018, In: Texte zur Kunst. 28. Jg., 112, p. 30-45 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Treffen der Generationen: ELIZA meets Siri

    Sander, P., 03.12.2018, Hello, I'm Eliza: Fünfzig Jahre Gespräche mit Computern. Höltgen, S. & Höltgen, S. (eds.). Bochum/Freiburg: Projekt Verlag, p. 258-259 2 p. (Computerarchäologie; vol. 4).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Hypothekentilgung

    Wessely, C. & Voller, C., 01.12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 445-448 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Die Quadratur des Bermudadreiecks

    Müggenburg, J. K. & Vehlken, S., 12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 403-408 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    On the Soul of Technical Objects: Commentary on Simondon’s ‘Technics and Eschatology’ (1972)

    Hui, Y., 01.11.2018, In: Theory, Culture & Society. 35, 6, p. 97-111 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Das Diktat des Hashtags: Über ein Prinzip der aktuellen Debattenbildung

    Bernard, A., 24.10.2018, Frankfurt am Main: Fischer Taschenbuch-Verlag. 96 p.

    Research output: Books and anthologiesMonographsResearch

  11. Published

    Computer

    Pias, C., 09.10.2018, The Creativity Complex: A Companion to Contemporary Culture. Beyes, T. & Mentelmann, J. (eds.). Bielefeld: transcript Verlag, p. 76-81 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Sacred Channels: The Archaic Illusion of Communication

    Hörl, E. & Schott, N. F. (Translator), 01.10.2018, Amsterdam: Amsterdam University Press. 344 p. (Recursions)

    Research output: Books and anthologiesMonographsResearch