Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Die mediale Erfindung der Gesellschaft: Genealogie als soziologische Methode

    Spreen, D., 2004, Die Medien und ihre Technik: Theorien – Modelle – Geschichte. Segeberg, H. (ed.). Marburg: Schüren Verlag, p. 43-55 12 p. (Schriftenreihe der Gesellschaft für Medienwissenschaft (GfM); vol. 11).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Die Materialität des Klangs und die Medienpraxis der Musikkultur: Ein verspäteter Gegenstand der Musikwissenschaft?

    Großmann, R., 2013, Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Volmar, A. & Schröter, J. (eds.). Bielefeld: transcript Verlag, p. 61-78 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur

    Metelmann, J. (Editor) & Beyes, T. (Editor), 2012, Berlin: Berlin University Press. 211 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Die Lesbarkeit der Bewegung

    Pias, C., 2011, Gestalt der Bewegung - Figure of Motion. Zinsmeister, A. (ed.). Jovis Verlag, p. 131-161 15 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  5. Published

    Die Lebewesen und ihre Medien

    Berz, P., 2010, Ambiente: das Leben und seine Räume ; basiert auf dem Symposium "Ambiente: das Leben & Seine Räume", das 2008 im Rahmen des Festivals Paraflows in Wien stattgefunden hat. Brandstetter, T., Harasser, K. & Friesinger, G. (eds.). Wien: Verlag Turia + Kant, p. 23-49 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Die Kunst zwischen Verdacht und Anspruch: Michael Scharang vor und nach dem "literarischen Realismus"

    Schnödl, G., 2010, In: Temeswarer Beiträge zur Germanistik. 7, p. 335-350 16 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Die Kunst des Defensivspiels. Der Briefwechsel zwischen Hans Blumenberg und Jacob Taubes

    Voller, C., 02.2014, In: Merkur. 68, 777, p. 162-165 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Die Konstitutionsfunktion des Krieges: Konstitutionstheoretische Zugänge zum Krieg in der deutschen Gegenwartssoziologie

    Spreen, D., 2010, Forschungsthema: Militär: militärische Organisationen im Spannungsfeld von Krieg, Gesellschaft und soldatischen Subjekten . Apelt, M. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 49 - 86 37 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Die Kommunikation der Täuschung: Eine Medientheorie der Mimikry

    Berz, P., 2008, Mimikry: Gefährlicher Luxus zwischen Natur und Kultur. Becker, A., Doll, M., Wiemer, S. & Zechner, A. (eds.). Schliengen: Edition Argus, p. 27-44 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Die Identität der Amöben

    Berz, P., 07.2013, Im Netz der Eindeutigkeiten. : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 189-218 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review