Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2018
- Published
Digitale Kulturen
Bernard, A., Beyes, T. & Pias, C., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1 ed. Berlin: Pro BUSINESS Verlag, p. 167-170 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Dynamicland: Ein Ethnographie der Arbeit am Medium
Bachmann, G., 2018, In: Österreichische Zeitschrift für Volkskunde. 114, 1, p. 29-50 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Faktizitäten: Zeitschrift für Medienwissenschaft 19 (10/2, 2018)
Vehlken, S. (Editor) & Schauerte, E. (Editor), 2018, Bielefeld: transcript Verlag. 100 p. (Zeitschrift für Medienwissenschaft; vol. 10, no. 2)Research output: Books and anthologies › Special Journal issue › Research
- Published
Film, oberflächlich simuliert
Warnke, M., 2018, Oberflächen und Interfaces: Ästhetik und Politik filmischer Bilder . Holl, U., Kaldrack, I., Miksch, C., Stutz, E. & Welinder, E. (eds.). 1 ed. Paderborn : Wilhelm Fink Verlag, p. 55-59 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Finding the Boomers: Der Anti-U-Boot-Krieg und die Operationalisierung der Ozeane im Kalten Krieg
Vehlken, S., 2018, Medien – Krieg – Raum. Nowak, L. (ed.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 357-376 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
From Pity to Control: Regulated Humanitarianism in German Media Coverage of Refugees and Asylum
Grittmann, E., 2018, The Routledge Companion to Media and Humanitarian Action. Andersen, R. & de Silva, P. L. (eds.). New York: Routledge Taylor & Francis Group, p. 90-101 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Funkologicalienatimepistomachinistics: Sensorisches Engineering und maschinische Heterochronizität bei Shuggie Otis
Pelleter, M., 2018, Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie. Ismaiel-Wendt, J. & Fabian, A. (eds.). Hildesheim: Georg Olms Verlag AG, p. 149-166 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Geistesgeschichte der Technik: »Phantastisches von morgen« und die Höhenflüge des Tech-Kapitalismus — ein Erklärungsversuch
Görlich, C., 2018, 10 Minuten Soziologie: Fakten. Gianna, B. & Anna, H. (eds.). Bielefeld: transcript Verlag, p. 133-146 14 p. (10 Minuten Soziologie; vol. 2).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
General Ecology
Hörl, E. H., 2018, Posthuman Glossary. Braidotti, R. & Hlavajova, M. (eds.). London: Bloomsbury Academic, p. 172-175 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
›Kartographischer Impuls‹ und ›operative Bildlichkeit‹: Eine Reflexion über Karten und die Bedeutung räumlicher Orientierung beim Erkennen
Krämer, S., 2018, Mapping: Zeitschrift für Kulturwissenschaften, Heft 1/2018. Schmidt-Lauber, B. & Zechner , I. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 19-31 13 p. (Zeitschrift für Kulturwissenschaft; vol. 2018, no. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review