Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
HyperKult XXI 2012
Warnke, M. (Organiser) & Großmann, R. (Organiser)
14.07.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
HyperKult XXIII – Bring your own... 2014
Großmann, R. (Organiser)
17.07.2010 → 19.07.2010Activity: Participating in or organising an academic or articstic event › Conferences › Research
HyperKult XXII - Standards, Normen, Protokolle - 2010
Warnke, M. (Organiser) & Großmann, R. (Organiser)
04.07.2010 → 06.07.2010Activity: Participating in or organising an academic or articstic event › Conferences › Research
Hyperkult XXV - 2015
Warnke, M. (Organiser) & Großmann, R. (Organiser)
09.07.2015 → 11.07.2015Activity: Participating in or organising an academic or articstic event › Conferences › Research
Hypersystem-Konzepte in Medien und kultureller Produktion I - 1991
Warnke, M. (Organiser)
15.07.1991 → 17.07.1991Activity: Participating in or organising an academic or articstic event › Conferences › Research
Hypersystem-Konzepte in Medien und kultureller Produktion II 1992
Warnke, M. (Organiser)
13.07.1992 → 15.07.1992Activity: Participating in or organising an academic or articstic event › Conferences › Research
Hypertext. Oder die Befreiung des Geistes durch die Maschine
Warnke, M. (Speaker)
05.11.2008Activity: Talk or presentation › Guest lectures › Education
Hypotheticality. Der Schnelle Brüter SNR-300 und das Ende der Planbarkeit
Vehlken, S. (Lecturer)
15.07.2014Activity: Talk or presentation › Guest lectures › Research
IAMCR Conference - IAMCR 2006
Thomas, T. (Speaker)
07.2006Activity: Participating in or organising an academic or articstic event › Conferences › Research
ICA-Conference - ICA 2006
Grittmann, E. (Speaker)
19.06.2007 → 23.06.2007Activity: Participating in or organising an academic or articstic event › Conferences › Research