School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. 2016
  2. Published

    Léger, Fernand

    Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). Laaber: Laaber Verlag, p. 343-344 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  3. Published

    Leibniz ein Vordenker der Idee des Netzes und des Netzwerkes?

    Krämer, S., 2016, Vision als Aufgabe: Das Leibniz-Universum im 21. Jahrhundert. Grötschel, M., Knobloch, E., Schiffers, J., Woisnitza, M. & Ziegler, G. M. (eds.). Berlin: Berlin-Brandenburgische Akademie der Wissenschaften, p. 47-59 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Leibniz on symbolism as a cognitive instrument

    Krämer, S., 2016, The Philosophy of Emerging Media: Understanding, Appreciation and Application. Floyd, J. & Katz, J. E. (eds.). Oxford: Oxford University Press, p. 307-318 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Mehr oder weniger neues Licht: Neuerscheinungen zum Jubiläumsjahr der Fotografie

    Kemp, W. K., 2016, In: Kunstchronik. 69, 1, p. 13-21 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Mining the Campus: Transforming Lüneburg University

    Kastelan, C. & Wuggenig, U., 2016, Front, Field, Line, Plane: Researching the Militant Image. Bitter, S., Weber, H., Loichinger, H. & Wuggenig, U. (eds.). Hamburg: adocs, p. 80–107 28 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Mobilizing Memes: The Contagious Socio-Aesthetics of Participation

    Simons, S., 2016, ReClaiming Participation: Technology – Mediation – Collectivity. Mathias, D., Anne, G., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 231–245 15 p. (Media Studies).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Mon masque appartient à tous: Die selbstdarstellerischen Praktiken Gustave Courbets

    Marchal, S., 2016, Hermeneutik des Gesichts: Das Bildnis im Blick aktueller Forschung. Fleckner, U. & Hensel, T. (eds.). Berlin: Walter de Gruyter GmbH, p. 391-410 20 p. (Schriften des Internationalen Warburg Kollegs; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Multimodal Crowd Sensing

    Vehlken, S., 2016, ReClaiming Participation: Technology - Mediation - Collectivity. Denecke, M., Ganzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 51–66 16 p. (Edition Medienwissenschaft; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Museum Sociology

    Kirchberg, V., 2016, Routledge International Handbook of the Sociology of Art and Culture. Hanquinet, L. & Savage, M. (eds.). London & New York: Routledge Taylor & Francis Group, p. 232-246 15 p. 15. (Routledge International Handbook).

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  11. Published

    Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg

    Kuchar, R., 2016, Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. Guerra, P. & Kagan, S. (eds.). Universidade Porto, p. 107 1 p.

    Research output: Contributions to collected editions/worksPublished abstract in conference proceedingsResearchpeer-review