Musical Instruments in the 21st Century: Identities, Configurations, Practices

Publikation: Bücher und AnthologienSammelwerke und AnthologienForschung

Standard

Musical Instruments in the 21st Century: Identities, Configurations, Practices. / Bovermann, Till (Herausgeber*in); de Campo, Alberto (Herausgeber*in); Egermann, Hauke (Herausgeber*in) et al.
Singapore: Springer Science+Business Media, 2017. 412 S.

Publikation: Bücher und AnthologienSammelwerke und AnthologienForschung

Harvard

Bovermann, T, de Campo, A, Egermann, H, Hardjowirogo, S-I & Weinzierl, S (Hrsg.) 2017, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Springer Science+Business Media, Singapore. https://doi.org/10.1007/978-981-10-2951-6

APA

Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S.-I., & Weinzierl, S. (Hrsg.) (2017). Musical Instruments in the 21st Century: Identities, Configurations, Practices. Springer Science+Business Media. https://doi.org/10.1007/978-981-10-2951-6

Vancouver

Bovermann T, (ed.), de Campo A, (ed.), Egermann H, (ed.), Hardjowirogo SI, (ed.), Weinzierl S, (ed.). Musical Instruments in the 21st Century: Identities, Configurations, Practices. Singapore: Springer Science+Business Media, 2017. 412 S. doi: 10.1007/978-981-10-2951-6

Bibtex

@book{866e1754bdf34281985dd32202a8a907,
title = "Musical Instruments in the 21st Century: Identities, Configurations, Practices",
abstract = "By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: • What are the conditions under which an object is recognized as a musical instrument? • What are the actions and procedures typically associated with musical instruments? • What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? • How is this knowledge being shaped by cultural conventions and temporal conditions? • How do algorithmic processes {\textquoteleft}change the game{\textquoteright} of musical performance, and as a result, how do they affect notions of instrumentality? • How do we address the question of instrumental identity within an instrument{\textquoteright}s design process? • What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?",
keywords = "Music education, Musical Instrumentality, Virtual Musical Instrument., Instrumental Assemblage, Interactive Musical Instruments, Pitch Coding, Musical Instrument Design, Instrumental Modality, Real-Time Music Performances, Audience{\textquoteright}s Experience, Digital Musical Instruments, Digital media",
editor = "Till Bovermann and {de Campo}, Alberto and Hauke Egermann and Sarah-Indriyati Hardjowirogo and Stefan Weinzierl",
year = "2017",
doi = "10.1007/978-981-10-2951-6",
language = "English",
isbn = "978-981-10-2950-9",
publisher = "Springer Science+Business Media",
address = "Germany",

}

RIS

TY - BOOK

T1 - Musical Instruments in the 21st Century

T2 - Identities, Configurations, Practices

A2 - Bovermann, Till

A2 - de Campo, Alberto

A2 - Egermann, Hauke

A2 - Hardjowirogo, Sarah-Indriyati

A2 - Weinzierl, Stefan

PY - 2017

Y1 - 2017

N2 - By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: • What are the conditions under which an object is recognized as a musical instrument? • What are the actions and procedures typically associated with musical instruments? • What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? • How is this knowledge being shaped by cultural conventions and temporal conditions? • How do algorithmic processes ‘change the game’ of musical performance, and as a result, how do they affect notions of instrumentality? • How do we address the question of instrumental identity within an instrument’s design process? • What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?

AB - By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: • What are the conditions under which an object is recognized as a musical instrument? • What are the actions and procedures typically associated with musical instruments? • What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? • How is this knowledge being shaped by cultural conventions and temporal conditions? • How do algorithmic processes ‘change the game’ of musical performance, and as a result, how do they affect notions of instrumentality? • How do we address the question of instrumental identity within an instrument’s design process? • What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?

KW - Music education

KW - Musical Instrumentality

KW - Virtual Musical Instrument.

KW - Instrumental Assemblage

KW - Interactive Musical Instruments

KW - Pitch Coding

KW - Musical Instrument Design

KW - Instrumental Modality

KW - Real-Time Music Performances

KW - Audience’s Experience

KW - Digital Musical Instruments

KW - Digital media

UR - http://www.scopus.com/inward/record.url?scp=85029062893&partnerID=8YFLogxK

U2 - 10.1007/978-981-10-2951-6

DO - 10.1007/978-981-10-2951-6

M3 - Collected editions and anthologies

SN - 978-981-10-2950-9

BT - Musical Instruments in the 21st Century

PB - Springer Science+Business Media

CY - Singapore

ER -

DOI