Induction, Deduction and Transduction: on the aesthetics and logic of digital objects

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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Induction, Deduction and Transduction : on the aesthetics and logic of digital objects. / Hui, Yuk.

in: Networking Knowledge, Jahrgang 8, Nr. 3, 06.2015, S. 1-19.

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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@article{582bcd0997104969a3688c2ccc23ff72,
title = "Induction, Deduction and Transduction: on the aesthetics and logic of digital objects",
abstract = "The article questions the two dominant views on media aesthetics – one takes the empiricist stance,and the other pushes forwards a media-technological a priori – in order to posit a third view. Thisview is transcendental empiricism, which one can trace in the work of Gilbert Simondon and GillesDeleuze. This article demonstrates this argument with the example of digital objects – the new formof industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to thethree views mentioned above.",
keywords = "Digital media",
author = "Yuk Hui",
year = "2015",
month = jun,
doi = "10.31165/nk.2015.83.376",
language = "English",
volume = "8",
pages = "1--19",
journal = "Networking Knowledge",
issn = "1755-9944",
publisher = "Media, Communication and Cultural Studies Association",
number = "3",

}

RIS

TY - JOUR

T1 - Induction, Deduction and Transduction

T2 - on the aesthetics and logic of digital objects

AU - Hui, Yuk

PY - 2015/6

Y1 - 2015/6

N2 - The article questions the two dominant views on media aesthetics – one takes the empiricist stance,and the other pushes forwards a media-technological a priori – in order to posit a third view. Thisview is transcendental empiricism, which one can trace in the work of Gilbert Simondon and GillesDeleuze. This article demonstrates this argument with the example of digital objects – the new formof industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to thethree views mentioned above.

AB - The article questions the two dominant views on media aesthetics – one takes the empiricist stance,and the other pushes forwards a media-technological a priori – in order to posit a third view. Thisview is transcendental empiricism, which one can trace in the work of Gilbert Simondon and GillesDeleuze. This article demonstrates this argument with the example of digital objects – the new formof industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to thethree views mentioned above.

KW - Digital media

U2 - 10.31165/nk.2015.83.376

DO - 10.31165/nk.2015.83.376

M3 - Journal articles

VL - 8

SP - 1

EP - 19

JO - Networking Knowledge

JF - Networking Knowledge

SN - 1755-9944

IS - 3

ER -

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