Induction, Deduction and Transduction: on the aesthetics and logic of digital objects

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Induction, Deduction and Transduction: on the aesthetics and logic of digital objects. / Hui, Yuk.
In: Networking Knowledge, Vol. 8, No. 3, 06.2015, p. 1-19.

Research output: Journal contributionsJournal articlesResearchpeer-review

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@article{582bcd0997104969a3688c2ccc23ff72,
title = "Induction, Deduction and Transduction: on the aesthetics and logic of digital objects",
abstract = "The article questions the two dominant views on media aesthetics – one takes the empiricist stance, and the other pushes forwards a media-technological a priori – in order to posit a third view. This view is transcendental empiricism, which one can trace in the work of Gilbert Simondon and Gilles Deleuze. This article demonstrates this argument with the example of digital objects – the new form of industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to the three views mentioned above.",
keywords = "Digital media",
author = "Yuk Hui",
year = "2015",
month = jun,
doi = "10.31165/nk.2015.83.376",
language = "English",
volume = "8",
pages = "1--19",
journal = "Networking Knowledge",
issn = "1755-9944",
publisher = "Media, Communication and Cultural Studies Association",
number = "3",

}

RIS

TY - JOUR

T1 - Induction, Deduction and Transduction

T2 - on the aesthetics and logic of digital objects

AU - Hui, Yuk

PY - 2015/6

Y1 - 2015/6

N2 - The article questions the two dominant views on media aesthetics – one takes the empiricist stance, and the other pushes forwards a media-technological a priori – in order to posit a third view. This view is transcendental empiricism, which one can trace in the work of Gilbert Simondon and Gilles Deleuze. This article demonstrates this argument with the example of digital objects – the new form of industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to the three views mentioned above.

AB - The article questions the two dominant views on media aesthetics – one takes the empiricist stance, and the other pushes forwards a media-technological a priori – in order to posit a third view. This view is transcendental empiricism, which one can trace in the work of Gilbert Simondon and Gilles Deleuze. This article demonstrates this argument with the example of digital objects – the new form of industrial objects composed of data and metadata – and proposes to investigate their aesthetics byarticulating three logical operators – induction, deduction and transduction – as correlations to the three views mentioned above.

KW - Digital media

U2 - 10.31165/nk.2015.83.376

DO - 10.31165/nk.2015.83.376

M3 - Journal articles

VL - 8

SP - 1

EP - 19

JO - Networking Knowledge

JF - Networking Knowledge

SN - 1755-9944

IS - 3

ER -

DOI

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