On "Sourcery," or Code as Fetish

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On "Sourcery," or Code as Fetish. / Chun, Wendy.
In: Configurations: a Journal of Literature, Science, and technology, Vol. 16, No. 3, 2008, p. 299-324.

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@article{28cfe7d3b7af4029b2d38fc5cdd0c802,
title = "On {"}Sourcery,{"} or Code as Fetish",
abstract = "This essay offers a sympathetic interrogation of the move within new media studies toward {"}software studies.{"} Arguing against theoretical conceptions of programming languages as the ultimate performative utterance, it contends that source code is never simply the source of any action; rather, source code is only source code after the fact: its effectiveness depends on a whole imagined network of machines and humans. This does not mean that source code does nothing, but rather that it serves as a kind of fetish, and that the notion of the user as super agent, buttressed by real-time computation, is the obverse, not the opposite of this {"}sourcery.{"}",
keywords = "Digital media",
author = "Wendy Chun",
year = "2008",
doi = "10.1353/con.0.0064",
language = "English",
volume = "16",
pages = "299--324",
journal = "Configurations: a Journal of Literature, Science, and technology",
issn = "1080-6520",
publisher = "Johns Hopkins University Press",
number = "3",

}

RIS

TY - JOUR

T1 - On "Sourcery," or Code as Fetish

AU - Chun, Wendy

PY - 2008

Y1 - 2008

N2 - This essay offers a sympathetic interrogation of the move within new media studies toward "software studies." Arguing against theoretical conceptions of programming languages as the ultimate performative utterance, it contends that source code is never simply the source of any action; rather, source code is only source code after the fact: its effectiveness depends on a whole imagined network of machines and humans. This does not mean that source code does nothing, but rather that it serves as a kind of fetish, and that the notion of the user as super agent, buttressed by real-time computation, is the obverse, not the opposite of this "sourcery."

AB - This essay offers a sympathetic interrogation of the move within new media studies toward "software studies." Arguing against theoretical conceptions of programming languages as the ultimate performative utterance, it contends that source code is never simply the source of any action; rather, source code is only source code after the fact: its effectiveness depends on a whole imagined network of machines and humans. This does not mean that source code does nothing, but rather that it serves as a kind of fetish, and that the notion of the user as super agent, buttressed by real-time computation, is the obverse, not the opposite of this "sourcery."

KW - Digital media

UR - http://www.scopus.com/inward/record.url?scp=77949276813&partnerID=8YFLogxK

U2 - 10.1353/con.0.0064

DO - 10.1353/con.0.0064

M3 - Journal articles

VL - 16

SP - 299

EP - 324

JO - Configurations: a Journal of Literature, Science, and technology

JF - Configurations: a Journal of Literature, Science, and technology

SN - 1080-6520

IS - 3

ER -

DOI