Professorship for Contemporary Art
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
Main research areas
Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.
The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.
Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice.
The Archipelago Lab also regularly invites contemporary artists and cultural producers.
The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.
With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.
- 2019
Kunstgeschichte und kuratorische Arbeit – Zu Ian White: Cinema as a Live Art / Becoming Object im Arsenal – Institut für Film und Videokunst, Berlin (15 – 17. März 2019)
Breimaier, A. (Oral presentation)
04.07.2019Activity: Talk or presentation › Guest lectures › Education
Zugang! Kunstprojekte für das französische Minitel-System, 1985
Broeckmann, A. (Speaker)
22.06.2019Activity: Talk or presentation › Conference Presentations › Research
Sounding Immaterial. Sound and Listening in the Exhibition "Les Immatériaux" (Paris, 1985).
Broeckmann, A. (Speaker)
20.06.2019Activity: Talk or presentation › Conference Presentations › Research
Vor und nach Jeanne Dielman.
Kuhn, E. (Speaker)
23.05.2019Activity: Talk or presentation › Guest lectures › Research
Jonas Mekas’ Filmdiaries.
Kuhn, E. (Speaker)
07.04.2019Activity: Talk or presentation › talk or presentation in privat or public events › Transfer
Négritude: Hausenstein and Senghor
Leeb, S. (Speaker)
27.03.2019Activity: Talk or presentation › Conference Presentations › Research
Ian White – Cinema as a Live Art / Becoming Object - 2019
Breimaier, A. (Organiser)
15.03.2019 → 17.03.2019Activity: Participating in or organising an academic or articstic event › artistic events › Transfer
Widerständige Zeit-Bilder. 1968 in Kunst und Kino.
Kuhn, E. (Speaker)
10.01.2019Activity: Talk or presentation › Guest lectures › Research
Camera Obscura (Journal)
Kuhn, E. (Editorial Board)
01.2019Activity: Publication peer-review and editorial work › Editor of journals › Research
- 2018
Vom "ästhetischen Bruch" und der filmischen Konstruktion einer Hausfrau.
Kuhn, E. (Speaker)
28.11.2018Activity: Talk or presentation › Guest lectures › Research