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Institute of Philosophy and Art History

Organisational unit: Institute

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Organisation profile

The institute consists of two departments: philosophy and art history.

Main research areas

Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).

The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).

With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.

The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.

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  1. 2022
  2. Published

    Quipping Equipment: Apropos of Robots and Kantian Chatbots

    von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.

    Research output: Journal contributions › Journal articles › Research

  3. Published

    Kwame Gyekye’s Critical Dialogue with Kant’s Ethics and its Political Consequences

    Rainsborough, M., 19.01.2022, In: ESTUDOS KANTIANOS. 9, 2, p. 53-68 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  4. Published

    Sobre la transferencia: Lacan y Althusser

    Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  5. Published

    Thesen zur Koinzidenz von Symbolwert und Marktwert der Kunst

    Wuggenig, U. & Rudolph, S., 03.01.2022, In: Bild.punkt: Zeitschrift der IG Bildende Kunst. 59, p. 21-25 4 p., 7.

    Research output: Journal contributions › Journal articles › Research

  6. Published

    The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  7. Published

    Thinking Against Nature: Nature, Ideation, and Realism between Lovecraft and Shelling

    Woodard, B., 01.01.2022, In: Logos (Russian Federation). 32, 2, p. 43-64 22 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  8. Published

    Wege der Anti-Dialektik

    Nigro, R., 01.01.2022, Zweite Natur: Stuttgarter Hegel-Kongress 2017. Honneth, A. & Julia, C. (eds.). Frankfurt am Main: Vittorio Klostermann, p. 273-284 12 p. (GEIST UND GESCHICHTE; vol. 6)(Veröffentlichungen der Internationalen Hegel-Vereinigung ; vol. 30).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  9. Published

    Cognitive Capitalism

    Harvie, D. & Trott, B., 2022, The Sage Handbook of Marxism. Skeggs, B., Farris, S. R., Toscano, A. & Bromberg, S. (eds.). Los Angeles: SAGE Publications Inc., Vol. 3. p. 1517-1538 22 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  11. Published

    Die Zweite Kopernikanische Wende: Kritik und Affekt nach Kant, Adorno und Deleuze

    Stubenrauch, H., 2022, Göttingen: Konstanz University Press. 259 p.

    Research output: Books and anthologies › Monographs › Research

  12. Published

    Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture

    Mola, I. F. & Wuggenig, U., 2022, Arts and Power: Policies in and by the Arts. Gaupp, L., Barber-Kersovan, A. & Kirchberg, V. (eds.). 1 ed. Wiesbaden: Springer VS, p. 155-193 39 p. 9. (Kunst und Gesellschaft).

    Research output: Contributions to collected editions/works › Chapter

  13. Published

    Looking at the World With You

    Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer Verlag

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  14. Published

    Meme Therapy: Auf der Suche nach Heilung in Geisterzeichnungen, Therapie-Notizbüchern und Trauma-Tagebüchern

    Kipke, A., 2022, In: Kunstforum international. 279, p. 104-111 8 p.

    Research output: Journal contributions › Journal articles › Transfer

  15. Published

    Models of transdisciplinary knowledge production at universities: a Romanian case study

    Vienni Baptista, B. & Vilsmaier, U., 2022, In: Higher Education Research and Development. 41, 5, p. 1757-1772 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  16. Published

    On the Mythical Atmosphere of the Digital World

    Milani, B., 2022, In: Technology and Language. 3, 4, p. 21-29 9 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  17. Published

    Passion, Performance and Soberness: Denis Diderot

    Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  18. Published

    Practical Formalist: Roger Fry

    Söntgen, B., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 62-63

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  19. Published

    Recht und Kultur

    Ausberg, I., Welzel, C., Jamme, C., Reimer, F. & Leeb, S. (Contributor), 2022, Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship Nachhaltigkeit | Kultur | Europa. Terhechte, J. (ed.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 39-62 24 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  20. Published

    Transgenerational Audiovisual Narration in Revolutionary Women: Ella

    Gerhardt, U., 2022, Lene Markusen: Mythbiographies. : I Premiati di Villa Romana 2021. Angelika Stepken, F. (ed.). Florenz: Villa Romana, p. 37-39 3 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  21. Published

    Über den Gebrauch weißer Prinzipien in Kants Philosophie

    Martinez Mateo, M. & Stubenrauch, H., 2022, In: Zeitschrift für Ideengeschichte. 16, 1, p. 123-125 3 p.

    Research output: Journal contributions › Journal articles › Research

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