Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Diane H. Bodart: Pouvoirs du portrait sous les Habsbourg d'Espagne, Paris, CTHS 2011
Marchal, S., 15.10.2014, In: sehepunkte - Rezensionsjournal für die Geschichtswissenschaften . 14, 10Research output: Journal contributions › Critical reviews › Research
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This Changes Everything: Capitalism vs the Climate
Trott, B., 12.2014, In: Development. 57, 3-4, p. 633-635 3 p.Research output: Journal contributions › Critical reviews › Research
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From the Precariat to the Multitude
Trott, B., 2015, Precariat: Labour, Work and Politics. Johnson, M. (ed.). London: Routledge Taylor & Francis Group, p. 22-45 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Ästhetikkolumne: Public Writing
Kemp, W., 01.01.2014, In: Merkur. 68, 776, p. 38-42 5 p.Research output: Journal contributions › Journal articles › Research
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Der Oligarch: Ein Beitrag zur Berufskunde
Kemp, W., 01.08.2014, In: Merkur. 68, 783, p. 665-677 13 p.Research output: Journal contributions › Journal articles › Research
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Ins Bild kommen, im Bild sein: Versuch über den Auftritt in un/bewegten Bildern
Söntgen, B., 2014, Auftreten: Wege auf die Bühne. Vogel, J. & Wild, C. (eds.). Berlin: Theater der Zeit, p. 189-215 27 p. (Recherchen; vol. 115).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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"Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft
Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Warum Diderot? Eine Projektskizze
Söntgen, B., 2013, In: Texte zur Kunst. 90, June, p. 61-70 10 p.Research output: Journal contributions › Critical reviews › Transfer
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Gabe und kulturelle Praktiken im Spannungsfeld zwischen Lassen und Tun: Eine Einleitung
Tams, N. & Hobuß, S., 2014, Lassen und Tun: Kulturphilosophische Debatten zum Verhältnis von Gabe und kulturellen Praktiken. Hobuß, S. & Tams, N. (eds.). Bielefeld: transcript Verlag, p. 7-28 21 p. (Edition Moderne Postmoderne).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Aktivität und Passivität der visuellen Wahrnehmung bei Platon und Aristoteles
Hobuß, S., 2014, Lassen und Tun: Kulturphilosophische Debatten zum Verhältnis von Gabe und kulturellen Praktiken. Hobuß, S. & Tams, N. (eds.). Bielefeld: transcript Verlag, p. 57-78 22 p. (Edition Moderne Postmoderne).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research