Institute of Fine Arts, Music and Education

Organisational unit: Institute

Organisation profile

The Institute of Fine Arts, Music and Education combines artistic, pedagogical and research-based expertise within the disciplines fine arts and music, with a particular emphasis on contemporary forms and practice. Lecturers offer modules for students enrolled in the Bachelor and Masters programmes within the faculties of Education and Humanities, in addition to the minor programme Popular Music Studies and the Early Childhood Music Further Education programme. Public exhibitions, concerts and other cultural events are of great importance within in the institute. These collaborative projects are innovatively developed and presented with and for our students thereby enriching the cultural life of the university.

  1. 2017
  2. Published

    Ex Machina: Bildung und Kompetenz im Zeitalter der Digitalisierung

    Steffel, H., 2017, Formate der Kunstvermittlung: Kompetenz - Performanz - Resonanz. Maset, P. & Hallmann, K. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 35-53 19 p. (Image; vol. 108).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  3. Published

    Formate der Kunstvermittlung: Kompetenz - Performanz - Resonanz

    Maset, P. (ed.) & Hallmann, K. (ed.), 2017, Bielefeld : transcript Verlag. 191 p. (Image; vol. 108)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Fragmente zu einer "Generativen Resonanzästhetik".

    Maset, P., 2017, Formate der Kunstvermittlung : Kompetenz-Performanz-Resonanz . Hallmann, K. & Maset, P. (eds.). Bielefeld: transcript Verlag, p. 67-78 12 p. (Image; vol. 108).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Zwischen Performanz und Resonanz: Potenziale einer Kunstvermittlung als Praxis des Erscheinens

    Hallmann, K., 2017, Formate der Kunstvermittlung: Kompetenz - Performanz - Resonanz. Maset, P. & Hallmann, K. (eds.). 1. ed. Bielefeld: transcript Verlag, p. 79-89 11 p. (image; vol. 108).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. 2016
  7. Published

    A fragile kaleidoscope: Institutions, methodologies and outlooks on German popular music (studies)

    Ahlers, M. & Jacke, C., 01.12.2016, Perspectives on German Popular Music. 1 ed. Routledge Taylor & Francis Group, p. 3-15 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Human

    Zuther, D., 20.10.2016, In: Praxis des Musikunterrichts. 128, p. 4-15 11 p.

    Research output: Journal contributionsJournal articlesTransfer

  9. Published

    The History of Music Production: By Richard James Burgess. Oxford, New York: Oxford University Press, 2014

    Ahlers, M., 01.10.2016, In: Popular Music. 35, 3, p. 472-473 2 p.

    Research output: Journal contributionsCritical reviewsResearch

  10. Published

    Can't Stop The Feeling

    Zuther, D., 20.08.2016, In: Praxis des Musikunterrichts. 127, p. 4-17 12 p.

    Research output: Journal contributionsJournal articlesTransfer

  11. Published

    Pop-Musik-Analysen: Theorien, Techniken, Methoden

    Ahlers, M. L. J., 15.08.2016, In: Diskussion Musikpädagogik. 71, p. 27-34 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  12. Published

    Schwitters und die Herzinsel: Resonanzen auf Merz

    Maset, P., 01.08.2016, In: Das Plateau. 156, p. 43-47 5 p.

    Research output: Journal contributionsJournal articlesResearch

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