Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2017
- Published
Welt-Bilder und Weltmodelle: Resonanz als Metapherntechnik und Technikmetapher
Görlich, C., 2017, Resonanzen und Dissonanzen: Hartmut Rosas kritische Theorie in der Diskussion. Peters, C. H. & Schulz, P. (eds.). Bielefeld: transcript Verlag, p. 271-290 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Why Notational Iconicity is a Form of Operational Iconicity
Krämer, S., 2017, Dimensions of Iconicity. Zirker, A., Bauer, M., Fischer, O. & Ljungberg, C. (eds.). Amsterdam: John Benjamins Publishing Company, p. 303-320 18 p. (Iconicity in language and literature; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Wir sind drin. Zur Gegenwart digitaler Kulturen
Beyes, T., Metelmann, J. & Pias, C., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 5-11 7 p. (Edition Speersort)(Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Zeugenschaft als philosophisches Problem - Zur Einleitung in diesen Band
Krämer, S., Schmidt, S. & Schülein, J.-G., 2017, Philosophie der Zeugenschaft: Eine Anthologie. Krämer, S., Schmidt, S. & Schülein, J.-G. (eds.). Münster: mentis Verlag, p. 7-24 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2016
- Published
Das relationale Apriori Wiens / Das städtische Apriori des Relationalismus: Stadt, Raum und Text in Robert Musils „Der Mann ohne Eigenschaften“
Schnödl, G., 15.12.2016, In: Le Foucaldien. 2, 1, 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Truth in testimony: Or can a documentary film ‘bear witness’? Some reflections on the difference between discursive and existential truth
Krämer, S., 07.12.2016, In the Beginning was the Image: The Omnipresence of Pictures: Time, Truth, Tradition. Benedek, A. & Veszelszki, Á. (eds.). Frankfurt: Peter Lang Verlag, p. 29-39 11 p. (Visual learning; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
THE PARALLAX OF INDIVIDUATION: simondon and schelling
Hui, Y., 12.2016, In: Angelaki - Journal of the Theoretical Humanities. 21, 4, p. 77-89 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Qu’est-ce que la « marge d’indétermination »?
Hui, Y., 24.11.2016Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
- Published
Figuration, Anschauung, Erkenntnis: Grundlinien einer Diagrammatologie
Krämer, S., 14.11.2016, Berlin: Suhrkamp Verlag. 361 p. (suhrkamp taschenbuch wissenschaft; vol. 2176)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
E-Mail als sozio-technisches Hybrid
Siegert, P. F., 10.11.2016, Handbuch Soziale Praktiken und Digitale Alltagswelten. Friese, H., Rebane, G., Nolden, M. & Schreiter, M. (eds.). Wiesbaden: Springer Fachmedien, p. 1-9 9 p. (Springer Reference Sozialwissenschaften).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Transactions of the Digital Games Research Association: DiGRA
Björk, S. (Editor) & Fuchs, M. (Editor), 01.11.2016, Pittsburgh: ETC Press. 261 p. (ToDiGRA; vol. 2, no. 3)Research output: Books and anthologies › Conference proceedings › Research
- Published
Medialität, Performativität und Sprachförmigkeit des Geldes. Drei Dimensionen über das Geld als Denkform zu reflektieren
Krämer, S., 11.2016, Geld! Welches Geld?: Geld als Denkform. Brodbeck, K.-H. & Graupe, S. (eds.). Marburg: Metropolis Verlag, p. 153-172 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
On the Synthesis of Social Memories
Hui, Y., 11.2016, Memory in Motion : Archives, Technology and the Social. Blom, I., Lundemo, T. & Røssaak, E. (eds.). Amsterdam: Amsterdam University Press, p. 307-325 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
(Review) The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis. New York: Columbia University Press, 2015.
Wellmann, J., 11.2016, In: Modernism/Modernity. 23, 4, p. 918-920 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Interpassives Spielen
Fuchs, M., 20.09.2016, Phänomen Let´s Play-Video : Entstehung, Ästhetik, Aneignung und Faszination aufgezeichneten Computerspielhandelns. Ackermann, J. (ed.). Springer Verlag, p. 31-41 11 p. 2. (Neue Perspektiven der Medienästhetik).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Rezension im erweiterten Forschungskontext: Macht & Medien
Denecke, M., 09.2016, In: MEDIENwissenschaft. Rezensionen. Reviews.. 2016, 3, p. 318-324 7 p.Research output: Journal contributions › Critical reviews › Research
- Published
Proceedings SMC 2016: 31.8.2016, Hamburg, Germany
Großmann, R. (Editor) & Hajdu, G. (Editor), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.Research output: Books and anthologies › Conference proceedings › Research
- Published
Art, Aesthetics and Organization
Beyes, T., 26.08.2016, A Research Agenda for Management and Organization Studies. Czarniawska, B. (ed.). 1 ed. Cheltenham: Edward Elgar Publishing, p. 115-125 11 p. (Elgar research agendas).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Introduction
Lushetich, N. (Editor) & Fuchs, M. (Editor), 01.08.2016, In: Performance Research . 21, 4, p. 1-7 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
De-Anonymizing Anonymous: Review of: Gabriella Coleman, Hacker, Hoaxer, Whistleblower, Spy. The Many Faces of Anonymous, London/New York, Verso, 2014.
Heinrichs, R., 08.2016, In: spheres - Journal for Digital Cultures. 2, Ecologies of Change, 5 p.Research output: Journal contributions › Critical reviews › Research