Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Published
Schriftlichkeiten
Großmann, R., 2011, In: Positionen. 86, p. 8-9 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Geschlechtsgebundene Erfahrungen aushandeln - Freiräume schaffen: Die Rezeption von Frauenzeitschriften als Reaktion auf mediale und lebensweltliche Ungleichheiten
Müller, K., 2012, Ungleichheit : Medien- und kommunikationssoziologische Perspektiven. Stegbauer, C. (ed.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 261-277 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Kurd Alslebens und Antje Eskes Konversationskunst
Warnke, M., 2011, felix aestheticus: Konversationskunst im ZKM Karlsruhe. Alsleben, K., Eske, A. & Idensen, H. (eds.). Norderstedt: Books on Demand GmbH, p. 37-38 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Zootechnologien: Eine Mediengeschichte der Schwarmforschung
Vehlken, S., 17.04.2012, Zürich: Diaphanes Verlag. 448 p.Research output: Books and anthologies › Monographs › Research
- Published
Epistemische Häufungen: Nicht-Dinge und agentenbasierte Computersimulation
Vehlken, S., 2011, Jenseits des Labors: Transformationen von Wissen zwischen Entstehungs- und Anwendungskontext. Hoof, F., Jung, E.-M. & Salaschek, U. (eds.). Bielefeld: transcript Verlag, p. 63-84 22 p. (Science studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks
Warnke, M. & Wedemeyer, C., 2011, In: Leonardo. Journal of the International Society for the Art, Sciences and Technology. 44, 3, p. 258-259 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die 'Unternehmerin ihrer selbst' im Reality TV: Geschlechtsspezifische Anrufungen und Aushandlungen in Germany's next Topmodel
Stehling, M., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Kruse, M.-M. & Hennig, I. (eds.). Sulzbach/Taunus: Ulrike Helmer Verlag, p. 112-130Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die Geschichte des Fortbildungszentrums für Neue Musik in Lüneburg: Musikalische Einflüsse und technische Konzeption
Laabs, E., Erdmann, H. W. (Editor) & Großmann, R. (Editor), 2010, Rimsting, Chiemsee: Paul C.R. Arends Verlag. 121 p.Research output: Books and anthologies › Monographs › Research
- Published
Ein Code, eine Kunst ? Der Traum der technischen Vereinigung von Klang und Bild
Großmann, R., 2011, MaerzMusik 2011: Klang Bild Bewegung. Osterwold, M. (ed.). Saarbrücken: Pfau Verlag, p. 20-29 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Verunsicherungen als Forschungs- und Lehrkonzept
Hennig, I., Kruse, M.-M., Hobuß, S. & Thomas, T., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Hennig, I. & Kruse, M.-M. (eds.). Königstein/Taunus: Ulrike Helmer Verlag, p. 8-21Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research