Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Mailen

    Siegert, P. F., 2018, Historisches Wörterbuch des Mediengebrauchs. Christians, H., Birkenbach, M. & Wegmann, N. (eds.). 1 ed. Köln, Weimar, Wien: Böhlau Verlag, Vol. 2. p. 257-272 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Modeling normativity in sustainability: a comparison of the sustainable development goals, the Paris agreement, and the papal encyclical

    Schmieg, G., Meyer, E., Schrickel, I., Herberg, J., Caniglia, G., Vilsmaier, U., Laubichler, M., Hörl, E. & Lang, D., 01.05.2018, In: Sustainability Science. 13, 3, p. 785-796 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Welt-Bilder und Weltmodelle: Resonanz als Metapherntechnik und Technikmetapher

    Görlich, C., 2017, Resonanzen und Dissonanzen: Hartmut Rosas kritische Theorie in der Diskussion. Peters, C. H. & Schulz, P. (eds.). Bielefeld: transcript Verlag, p. 271-290 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Introduction

    Borrelli, A., 2017, The Optics of Giambattista Della Porta (ca. 1535–1615): A Reassessment. Borrelli, A., Hon, G. & Zik, Y. (eds.). Springer Nature, p. 1-10 10 p. (Archimedes; vol. 44).

    Research output: Contributions to collected editions/worksChapterpeer-review

  5. Published

    Optical Diagrams as “Paper Tools”: Della Porta’s Analysis of Biconvex Lenses from De refractione to De telescopio

    Borrelli, A., 2017, The Optics of Giambattista Della Porta (ca. 1535–1615). Borrelli, A., Hon, G. & Zik, Y. (eds.). Cham: Springer Nature, p. 57-96 40 p. (Archimedes; vol. 44).

    Research output: Contributions to collected editions/worksChapterpeer-review

  6. Published

    Computer Game Worlds

    Pias, C., 2017, Zürich: Diaphanes Verlag. 355 p. (sequenzia)

    Research output: Books and anthologiesMonographsResearchpeer-review

  7. Published

    Gespenster des Wissens

    Holl, U. (Editor), Pias, C. (Editor) & Wolf, B. (Editor), 2017, Zürich: Diaphanes Verlag. 440 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  8. Published

    On cosmotechnics: For a renewed relaton between technology and nature in the anthropocene

    Hui, Y., 2017, In: Techne: Research in Philosophy and Technology. 21, 2-3, p. 319-341 23 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Reframing the technosphere: Peter Sloterdijk and Bernard Stiegler's anthropotechnological diagnoses of the anthropocene

    Lemmens, P. & Hui, Y., 2017, In: Krisis. Journal for Contemporary Philosophy. 2, p. 26-41 16 p.

    Research output: Journal contributionsScientific review articlesResearch

  10. Published

    Media and Migration: Editorial

    Apprich, C., Beverungen, A., Freudenschuß, M., Hille, L., Simons, S., Wiedemann, C., Heinrichs, R. & Yoosuf, H., 2017, In: spheres - Journal for Digital Cultures. 4, 2, 4 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research