Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Himmel und Erde. Das Territorium des Internets

    Warnke, M., 2019, Internet und Staat: Perspektiven auf eine komplizierte Beziehung. Borucki, I. & Schünemann, W. J. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 231-244 14 p. (Staatsverständnisse; vol. 127).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Widerstand der Tiere

    Müggenburg, J. K., 2019, Das verdatete Tier.: Zum Animal Turn in den Kultur- und Medienwissenschaften. Bolinski, I. & Rieger, S. (eds.). Stuttgart: J.B. Metzler, p. 123–136 14 p. (Cultural Animal Studies).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Kybernetik

    Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch Geschichte – Kultur – Ethik. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 280–282 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Feedback

    Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch zur Geschichte – Kultur – Ethik.. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 260–262 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Bionik

    Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch zur Geschichte – Kultur – Ethik. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 241–243 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Kybernetische Maschinen – artifizielles Leben oder lebhafte Artefakte?

    Müggenburg, J. K., 10.2019, Mensch-Maschine-Interaktion: Handbuch zur Geschichte – Kultur – Ethik. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 122–127 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    The Practice of Naturalness: A Historical-Philosophical Perspective

    Borrelli, A. & Castellani, E., 01.09.2019, In: Foundations of Physics. 49, 9, p. 860-878 19 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Between symmetry and asymmetry: spontaneous symmetry breaking as narrative knowing

    Borrelli, A., 01.04.2021, In: Synthese. 198, 4, p. 3919-3948 30 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Kann Malen (überhaupt) eine Kulturtechnik sein?

    Krämer, S., 2019, Kulturtechnik Malen: Die Welt aus Farbe erschaffen. Kupczyk, M., Schwarte, L. & Warsen, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 9-19 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Sprachgebräuche jenseits des Sprechens: oder: über die ‚stumme Epistemologie‘ der inskribierten Fläche

    Krämer, S., 2019, Linguistische Kulturanalyse. Schröder, J., Tienken, S., Ilg, Y., Scharloth, J. & Bubenhofer, N. (eds.). Berlin: Walter de Gruyter GmbH, p. 51-68 18 p. (Reihe Germanistische Linguistik; vol. 314).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review