Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2012
- Published
Affiziert werden: Städtische und mediale Atmosphären
Beyes, T., 2012, Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur. Metelmann, J. & Beyes, T. (eds.). Berlin: Berlin University Press, p. 97-108 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Betriebssysteme der Wissenschaft
Warnke, M., 2012, In: Zeitschrift für Medienwissenschaft. 7, 2, p. 152-156 4 p.Research output: Journal contributions › Journal articles › Research
- Published
Binary Random Nets I: Ein Tiroler Gerücht
Berz, P., 2012, Spielregeln. 25 Aufstellungen: Eine Festschrift für Wolfgang Pircher. Berz, P., Kubaczek, M., Laquièze-Waniek, E. & Unterholzner, D. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 25-40 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Binary Random Nets II: Amerikanische Kombinationen
Berz, P., 2012, Spielregeln. 25 Aufstellungen: Eine Festschrift für Wolfgang Pircher. Berz, P., Kubaczek, M., Laquièze-Waniek, E. & Unterholzner, D. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 343-359 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Constructions and Reconstructions. The Architectural Image between Rendering and Photography
Stöcklmayr, N., 2012, In: Photoresearcher. 18, p. 69 - 77 9 p.Research output: Journal contributions › Journal articles › Research
- Published
Contenant Contenu: Anordnungen des Enthaltens
Berz, P., 2012, Das Motiv der Kästchenwahl: Container in Psychoananalyse, Kunst, Kultur. Härtel, I. & Knellessen, O. (eds.). Göttingen: Vandenhoeck and Ruprecht GmbH and Co. KG, p. 133-153 21 p. (Psychoanalytische Blätter; no. 31).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Cyberspace
Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 69 1 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Das Augentierchen: Euglena gracilis KLEBS
Berz, P., 2012, Zoologicon: Ein kulturhistorisches Wörterbuch der Tiere. Kassung, C., Mersmann, J. & Rader, O. B. (eds.). Paderborn: Wilhelm Fink Verlag, p. 26-32 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Datenbanken als Zitadellen des Web 2.0
Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien
Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research