Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2017
- Published
Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine
Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S.-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Computer Game Worlds
Pias, C., 2017, Zürich: Diaphanes Verlag. 355 p. (sequenzia)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Das Ereignis, „wenn man sich im Bett umdreht“ – Zur Zukunft des Subjekts bei Alain Badiou und Robert Musil
Schnödl, G., 2017, Zurück in die Zukunft: Die Bedeutung von Diskursen über „Zukunft“ in der Wissenschaftsgeschichte. Freitag, K. & Groß, D. (eds.). Kassel: Kassel university press, p. 75-90 16 p. ( Studien des Aachener Kompetenzzentrums für Wissenschaftsgeschichte; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die Rettung des Ontologischen durch das Ontische? Ein Kommentar zu 'operativen Ontologien'
Krämer, S., 2017, In: Zeitschrift für Medien- und Kulturforschung. 8, 2, p. 125-142 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Ecologies of Making: On Tim Ingold´s General-Ecological Critique of Worldmaking
Hörl, E., 2017, +ultra knowledge & gestaltung. Doll, N., Bredekamp, H. & Schäffner, W. (eds.). Leipzig: E.A. Seemann, p. 45-53 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Entwickler
Bialski, P., 2017, Nach der Revolution : Ein Brevier digitaler Kulturen . Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 140-148 9 p. ("Duisburger Dialoge" der Haniel Stiftung).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Gerhard Rühm oder: Vom Eigensinn der Medien
Krämer, S., 2017, Gerhard Rühm. Brugger, I. & Eipeldauer, H. (eds.). Berlin: Hatje Cantz Verlag, p. 27-32 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Gespenster des Wissens
Holl, U. (Editor), Pias, C. (Editor) & Wolf, B. (Editor), 2017, Zürich: Diaphanes Verlag. 440 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
- Published
Instrumentality: On the Construction of Instrumental Identity
Hardjowirogo, S.-I., 2017, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S.-I. & Weinzierl, S. (eds.). Singapore: Springer Science+Business Media, p. 9-24 16 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Interferences and Events: On Epistemic Shifts in Physics through Computer Simulations
Dippel, A. (Editor) & Warnke, M. (Editor), 2017, Lüneburg: meson press. 182 p.Research output: Books and anthologies › Collected editions and anthologies › Research