Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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On Knowing Too Much: Technologists´Discourses Around Online Anonymity
Bialski, P., 2018, Non-Knowledge and Digital Cultures . Bernard, A., Koch, M. & Leeker, M. (eds.). Lüneburg: meson press, p. 143-157 15 p. (Digital Culture Series ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Intelligenz-Comptoirs
Fuchs, M., 01.04.2018, Rimini Protokoll: Staat 1-4 : Phänomene der Postdemokratie. Schipper, I. (ed.). Berlin: Verlag Theater der Zeit, p. 146-153 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Perverse Bienen: Artificial Life und der Apfel der Erkenntnis
Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Das Diktat des Hashtags: Über ein Prinzip der aktuellen Debattenbildung
Bernard, A., 24.10.2018, Frankfurt am Main: Fischer Taschenbuch-Verlag. 96 p.Research output: Books and anthologies › Monographs › Research
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Profil
Bernard, A., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 38-48 11 p. (Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Pervasive Intelligence: The Tempo-Spatiality of Drone Swarms
Vehlken, S., 22.08.2018, In: Digital Culture & Society. 4, 1, p. 107-132 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Visions of Process—Swarm Intelligence and Swarm Robotics in Architectural Design and Construction
Vehlken, S., 30.08.2018, Robotic Building. Bier, H. (ed.). Springer, p. 1-23 24 p. (Adaptive Environments; vol. 1, no. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Corrupt State of Artificial Intelligence: Clemens Apprich on Machine Learning and Bias
Apprich, C., 03.2018, In: Texte zur Kunst. 109, p. 136-141 6 p.Research output: Journal contributions › Journal articles › Transfer
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Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine
Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S.-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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On the Soul of Technical Objects: Commentary on Simondon’s ‘Technics and Eschatology’ (1972)
Hui, Y., 01.11.2018, In: Theory, Culture & Society. 35, 6, p. 97-111 15 p.Research output: Journal contributions › Journal articles › Research › peer-review