Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Klang - Medium - Material: über den technikkulturellen Wandel des Materials auditiver Gestaltung
Großmann, R., 2006, Sonambiente Berlin 2006: klang kunst sound art . LaMotte-Haber, H. D., Osterwold, M. & Weckwerth, G. (eds.). Heidelberg: Kehrer Verlag Heidelberg, p. 310-319 10 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Männerzeitschriften - Frauenzeitschriften: Systematisierung eines gemeinsamen Forschungsfeldes
Röser, J., 01.01.2005, In: Medien-Journal. 29, 1, p. 23-34 12 p.Research output: Journal contributions › Journal articles › Research
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Medien und der 11. September: vom "Kulturbruchszenario" in einer Medienkultur
Thomas, T., 01.01.2003, Kulturwissenschaft als Kommunikationswissenschaft: Projekte, Probleme und Perspektiven. Karmasin, M. & Winter, C. (eds.). Wiesbaden: Westdeutscher Verlag, p. 107-126 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Notation
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 277-279 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Politische Bildung in Ostdeutschland: Demokratie-Lernen zwischen Anspruch und Wirklichkeit
Henkenborg, P., Krieger, A., Pinseler, J. & Behrens, R., 13.03.2008, 1. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 136 p.Research output: Books and anthologies › Book
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Die heile Welt und das Böse von außen: zur Inszenierung von Authentizität in Aktenzeichen XY ... ungelöst
Pinseler, J., 2003, Authentizität und Inszenierung von Bilderwelten. Knieper, T. & Müller, M. G. (eds.). Köln: Herbert von Halem Verlag, p. 42-55 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Digitale Musikproduktion
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 271-273 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Schlüsselwerke der Cultural Studies
Hepp, A. (Editor), Krotz, F. (Editor) & Thomas, T. (Editor), 2009, 1. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 338 p. (Medien - Kultur - Kommunikation)Research output: Books and anthologies › Collected editions and anthologies › Research
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Domestizierung, Alltag, Mediatisierung: ein Ansatz zu einer theoriegerichteten Verständigung
Krotz, F. & Thomas, T., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 31-42 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Der Soldat im Unterhaltungsformat: Verflechtungen zwischen Journalismus und Militär verändern die politische Kultur
Thomas, T. & Virchow, F., 2005, In: M: Menschen machen Medien. 54, 3, p. 16-17 2 p.Research output: Journal contributions › Journal articles › Research