Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Uncontained: The art and politics of reconfiguring urban space
Beyes, T., 2010, In: Culture and Organisation. 16, 3, p. 229-246 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Ungleich mächtig: Das Gendering von Führungspersonen aus Politik, Wirtschaft und Wissenschaft in der Medienkommunikation
Lünenborg, M. & Röser, J., 2012, transcript Verlag. 270 p. (Critical Media Studies)Research output: Books and anthologies › Collected editions and anthologies › Transfer
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(Un-)Möglichkeiten kritischer Geschlechtertheorie und -politik: Öffentliche Kontroversen
Thomas, T., 2012, Medien, Öffentlichkeit und Geschlecht in Bewegung: Forschungsperspektiven der kommunikations- und medienwissenschaftlichen Geschlechterforschung. Maier, T., Thiele, M. & Linke, C. (eds.). Bielefeld: transcript Verlag, p. 27-49 22 p. (Critical media studies; no. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Unplanned, Unanticipated and Unsupported? E-Mail als sozio-technisches Hybrid
Siegert, P. F., 04.07.2013, Computer als Medium »HyperKult XXII« : Standards, Normen, Protokolle. Centre for Digital Cultures Lüneburg, p. 14-20 7 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Unseating Mastery: The University and the Promise of the New
Hörl, E. & Lalu, P., 12.2024, In: Theory, Culture & Society. 41, 7-8, p. 219-238 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
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"Unterschichtenfernsehen": Beobachtungen zum Zusammenhang von Medienklassifikationen und sozialer Ungleichheit
Klaus, E. & Röser, J., 2008, Medien - Diversität - Ungleichheit: Zur medialen Konstruktion sozialer Differenz. Wischermann, U. & Thomas, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 263-279 17 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Unterwachen und Schlafen: Einleitung
Andreas, M., Kasprowicz, D. & Rieger, S., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 7-31 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Using the Domestication Approach for the Analysis of Diffusion and Participation Processes of New Media
Peil, C. & Röser, J., 09.2012, The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research. Bilandzic, H., Patriarche, G. & Traudt, P. (eds.). Bristol: Intellect, p. 221-240 20 p. 12. (European Communication Research and Education Association).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Utopian Hacks
Bachmann, G., 08.2017, Limn Number 8: Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). CreateSpace Independent Publishing, Vol. 8. p. 96-101 6 p. (Limn; no. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Valuation Beyond the Market: On Symbolic and Economic Value in Contemporary Art
Wuggenig, U. & Rudolph, S., 2013, Art Production Beyond the Art Market?. van den Berg, K. & Pasero, U. (eds.). Berlin / New York: Sternberg Press, p. 101-149 49 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research