Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    "Germany's Next Topmodel": Dilemmata und Ambivalenzen aus Sicht von Zuschauerinnen

    Thomas, T. & Stehling, M., 2012, Auf Augenhöhe ?: Rezeption von Castingshows und Coachingsendungen. Hajok, D., Selg, O. & Hackenberg, A. (eds.). 1 ed. Konstanz: UVK Verlagsgesellschaft mbH, p. 161-177 17 p. (Alltag, Medien und Kultur; no. 10).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Geschichtsphilosophie nach der Geschichtsphilosophie? Perspektiven der Kulturgeschichte im Ausgang von Heinz Dieter Kittsteiner

    Blänkner, R. (Editor), Schmieder, F. (Editor), Voller, C. (Editor) & Wagner, J. (Editor), 27.07.2021, Bielefeld: transcript Verlag. 346 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Geschlechtsgebundene Erfahrungen aushandeln - Freiräume schaffen: Die Rezeption von Frauenzeitschriften als Reaktion auf mediale und lebensweltliche Ungleichheiten

    Müller, K., 2012, Ungleichheit : Medien- und kommunikationssoziologische Perspektiven. Stegbauer, C. (ed.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 261-277 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Gesichter im Sand: Schwärme zwischen Nicht-Identität und Pattern Recognition

    Vehlken, S., 15.07.2013, Im Netz der Eindeutigkeiten: unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 165-188 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Gespenster des Wissens

    Holl, U. (Editor), Pias, C. (Editor) & Wolf, B. (Editor), 2017, Zürich: Diaphanes Verlag. 440 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  6. Published

    Gespielte Medien und die Anfänge 'phonographischer Arbeit'

    Großmann, R., 2016, Spiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio. Saxer, M. (ed.). Bielefeld: transcript Verlag, p. 381-398 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Gewalt

    Röser, J., 01.01.2003, Handbuch populäre Kultur: Begriffe, Theorien und Diskussionen. Hügel, H.-O. (ed.). Stuttgart: J.B. Metzler, p. 215-219 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Gewaltdarstellung

    Röser, J., 2005, Handbuch Journalismus und Medien. Weischenberg, S., Kleinsteuber, H. J. & Pörksen, B. (eds.). Konstanz: UVK Verlagsgesellschaft mbH, p. 82-86 5 p. (Praktischer Journalismus; vol. 60).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Ghetto Blasts: Media Histories of Neighborhood Technologies between Segregation, Cooperation, and Craziness

    Vehlken, S., 15.04.2015, Neighborhood Technologies : Media and Mathematics of Dynamic Networks. Harks, T. & Vehlken, S. (eds.). Zürich: Diaphanes Verlag, p. 37-66 29 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Gilles Deleuze’s Philosophy of Nature: System and Method in What is Philosophy?

    Schönher, M., 01.12.2019, In: Theory, Culture and Society. 36, 7–8, p. 89–107 19 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review