Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2003
- Published
Verhüllt – unverhüllt: Bild und Verschleierung in der Afghanistanberichterstattung
Grittmann, E., 2003, Bilder des Terrors - Terror der Bilder? : Krisenberichterstattung am und nach dem 11. September. Beuthner, M., Buttler, J., Fröhlich, S., Neverla, I. & Weichert, S. A. (eds.). Köln: Herbert von Halem Verlag, p. 268-284 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Virtualität und Interaktivität
Warnke, M., 2003, Metzler Lexikon Kunstwissenschaft: Ideen, Methoden, Begriffe. Pfisterer, U. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 369-372 4 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
- Published
Medien und der 11. September: vom "Kulturbruchszenario" in einer Medienkultur
Thomas, T., 01.01.2003, Kulturwissenschaft als Kommunikationswissenschaft: Projekte, Probleme und Perspektiven. Karmasin, M. & Winter, C. (eds.). Wiesbaden: Westdeutscher Verlag, p. 107-126 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2004
- Published
Anna Oppermann in der Hamburger Kunsthalle: "Öl auf Leinwand", "MKÜVO (Mach kleine , überschaubare, verkäufliche Objekte!)", "MKÜVO-Fensterecke"
Pias, C., Warnke, M. (Editor) & Schneede, U. M. (Editor), 2004, Hamburg: Hamburger Kunsthalle . 47 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Anna Oppermann in der Hamburger Kunsthalle: "Öl auf Leinwand", "MKÜVO (Mach kleine, überschaubare, verkäufliche Objekte!)", "MKÜVO-Fensterecke"
Warnke, M., Wedemeyer, C. & Terstegge, C., 2004Research output: Non-textual form types › Hypermedia › Research
- Published
Architektur einer Geschlechterkonstruktion: Der Potsdamer Platz aus der Perspektive der Gender Studies
Bublitz, H. & Spreen, D., 2004, Potsdamer Platz: Soziologische Theorien zu einem Ort der Moderne. Fischer, J. & Makropoulos, M. (eds.). München: Wilhelm Fink Verlag, p. 139-157 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Berechnetes Kino
Warnke, M., 2004, Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz. Warnke, M. (ed.). Stuttgart: Stiftungs-Verbundkolleg Informationsgesellschaft, p. 16-26 11 p. (Stiftungsreihe).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Bildersuche
Warnke, M., 2004, Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz. Warnke, M. (ed.). Stuttgart: Stiftungs-Verbundkolleg Informationsgesellschaft, p. 27-39 13 p. (Stiftungsreihe).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz
Warnke, M., 2004, Berlin: Stiftungs-Verbundkolleg Informationsgesellschaft. 69 p. (Stiftungsreihe; vol. 64)Research output: Books and anthologies › Monographs › Research