Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2018
  2. Published

    General Ecology

    Hörl, E. H., 2018, Posthuman Glossary. Braidotti, R. & Hlavajova, M. (eds.). London: Bloomsbury Academic, p. 172-175 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    ›Kartographischer Impuls‹ und ›operative Bildlichkeit‹: Eine Reflexion über Karten und die Bedeutung räumlicher Orientierung beim Erkennen

    Krämer, S., 2018, Mapping: Zeitschrift für Kulturwissenschaften, Heft 1/2018. Schmidt-Lauber, B. & Zechner , I. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 19-31 13 p. (Zeitschrift für Kulturwissenschaft; vol. 2018, no. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Lebhafte Artefakte: Heinz von Foerster und die Maschinen des Biological Computer Laboratory

    Müggenburg, J., 2018, Göttingen: Konstanz University Press. 379 p. (Konstanz University Press)

    Research output: Books and anthologiesMonographsResearchpeer-review

  5. Published

    Mailen

    Siegert, P. F., 2018, Historisches Wörterbuch des Mediengebrauchs. Christians, H., Birkenbach, M. & Wegmann, N. (eds.). 1 ed. Köln, Weimar, Wien: Böhlau Verlag GmbH, Vol. 2. p. 257-272 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs

    Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    On Knowing Too Much: Technologists´Discourses Around Online Anonymity

    Bialski, P., 2018, Non-Knowledge and Digital Cultures . Bernard, A., Koch, M. & Leeker, M. (eds.). Lüneburg: meson press, p. 143-157 15 p. (Digital Culture Series ).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Unterwachen und Schlafen: Einleitung

    Andreas, M., Kasprowicz, D. & Rieger, S., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 7-31 25 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Visibility, Voice and Encounter in Cosmopolitan Online Communication. Rethinking Cultural Citizenship in Post-Migrant Societies

    Grittmann, E. & Thomas, T., 2018, (Mis)Understanding Political Participation: Digital Practices, New Forms of Participation and the Renewal of Democracy. Wimmer, J., Wallner, C., Winter, R. & Oelsner, K. (eds.). 1 ed. New York: Routledge Taylor & Francis Group, p. 213-228 16 p. (Routledge Studies in European Communication Research and Education Serie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Warum Max Bense unzeitgemäß war und es heute nicht mehr ist oder: Wieviel Geist steckt in den 'Digitalen Geisteswissenschaften'?

    Krämer, S., 2018, Max Bense: Weltprogrammierung. Uhl, E. & Zittel, C. (eds.). Stuttgart: J.B. Metzler, p. 133-139 7 p. (Abhandlungen zur Philosophie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Zur Einleitung

    Voller, C., Schnödl, G. (Contributor) & Wagner, J., 2018, Spenglers Nachleben: Studien zu einer verdeckten Wirkungsgeschichte. Voller, C., Schnödl, G. & Wagner, J. (eds.). Springe: zu Klampen Verlag, p. 7-28 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review