Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Conference Presentations
Sound Studies als erweiterte Musikwissenschaft?
Großmann, R. (Speaker)
28.09.2021 → 01.10.2021Activity: Talk or presentation › Conference Presentations › Research
Stader Universitätstag 1999
Großmann, R. (Speaker) & Warnke, M. (Speaker)
1999Activity: Talk or presentation › Conference Presentations › Research
Standing on the shoulders of giants -Joining voices of audience researchers in the UK and Germany
Stehling, M. (Speaker)
26.10.2012Activity: Talk or presentation › Conference Presentations › Research
Störenfried Mediengewalt?: der Mythos einer (eigentlich) friedfertigen Gesellschaft
Röser, J. (Speaker)
01.11.2000Activity: Talk or presentation › Conference Presentations › Research
Swarming. Science Fact and Science Fiction of Collective Intelligence
Vehlken, S. (Speaker)
30.10.2008 → 02.11.2008Activity: Talk or presentation › Conference Presentations › Research
Switching on the lights inside the black box: How computer simulations observe the unobservable
Warnke, M. (Speaker) & Borrelli, A. (Speaker)
28.11.2018Activity: Talk or presentation › Conference Presentations › Research
Synthesizer und Sampler. Dispositionen der Musikproduktion in den 1980ern
Großmann, R. (Speaker)
19.02.2014Activity: Talk or presentation › Conference Presentations › Research
The 26th Annual Meeting of the Society for Literature, Science and the Arts (SLSA)
Müggenburg, J. (Speaker)
27.09.2012 → 30.09.2012Activity: Talk or presentation › Conference Presentations › Research
The Ambiguity of In/Activity in John Knights “The Right to be Lazy”
Gräfe, A. (Speaker)
11.07.2024 → 12.07.2024Activity: Talk or presentation › Conference Presentations › Research
The botherder's lure and the figure of the pirate: trespassing enclosures and tweaking affordances
Leistert, O. (Speaker)
25.06.2014Activity: Talk or presentation › Conference Presentations › Research
THE CLOUD. Hyperkult 18
Müggenburg, J. (Speaker)
02.07.2009 → 04.07.2009Activity: Talk or presentation › Conference Presentations › Research
The Creation of the World out of Exhaustion
Gräfe, A. (Speaker)
29.02.2024 → 01.03.2024Activity: Talk or presentation › Conference Presentations › Research
The Domestication Approach Revisited in the Context of Digitization, Mobilization and Mediatization
Peil, C. (Speaker)
15.04.2011Activity: Talk or presentation › Conference Presentations › Research
The professional identity of gameworkers revisited: A qualitative inquiry on the case study of German professionals
Wimmer, J. (Speaker) & Sitnikova, T. (Speaker)
14.09.2011 → 17.09.2011Activity: Talk or presentation › Conference Presentations › Research
The revolution will not be liked. On the systemic limits of protests and political campaigns on commercial social media platforms
Leistert, O. (Speaker)
12.11.2014 → 15.11.2014Activity: Talk or presentation › Conference Presentations › Research
The Rhetoric of Mimicry and Agon in Computer Games
Schrape, N. (Speaker)
06.04.2011 → 09.04.2011Activity: Talk or presentation › Conference Presentations › Research
The standards story of SAP: When infrastructure is happening
Conrad, L. (Speaker) & Mormann, H. (Speaker)
31.10.2001Activity: Talk or presentation › Conference Presentations › Research
The standards story of SAP: When infrastructure is happening
Conrad, L. (Speaker)
06.10.2021Activity: Talk or presentation › Conference Presentations › Research
Transdisziplinäre Popmusikforschung
Großmann, R. (Speaker)
15.09.2018Activity: Talk or presentation › Conference Presentations › Education
TRVIALISIERUNG. Hyperkult 20
Müggenburg, J. (Speaker)
07.07.2011Activity: Talk or presentation › Conference Presentations › Research