Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
Rethinking Otherness: Cosmopolitanism and new platforms
Grittmann, E. (Speaker)
25.06.2013 → 29.06.2013Activity: Talk or presentation › Conference Presentations › Research
'Re': Zu Ästhetiken der Wiederholung 2011
Großmann, R. (Speaker)
01.12.2011 → 02.12.2011Activity: Participating in or organising an academic or articstic event › Conferences › Research
Rhythmatische Schaltpläne
Pelleter, M. (Speaker)
14.01.2015 → 15.01.2015Activity: Talk or presentation › Conference Presentations › Research
Ringvorlesung: Die Musik im Zeitalter ihrer technischen (Re)Produzierbarkeit 2012
Großmann, R. (Speaker)
18.04.2012Activity: Participating in or organising an academic or articstic event › Conferences › Research
Round-Table "Kritische Massen – Zur Anschlussfähigkeit digitaler Bildbestände an eine aktuelle kunsthistorische Forschung" - 2013
Bösenberg, E. S. (Organiser)
18.10.2013Activity: Participating in or organising an academic or articstic event › Conferences › Research
Round-Table „Objekte in Raum und Zeit“ - RiR 2015
Warnke, M. (Participant)
28.01.2015 → 29.01.2015Activity: Participating in or organising an academic or articstic event › Conferences › Research
Runaway History: Multiplikationsprozesse in der Moderne - 2009
Müggenburg, J. (Speaker)
05.2009Activity: Participating in or organising an academic or articstic event › Conferences › Research
Sachverständiger Ausschuss Digitale Agenda des Bundestags
Leistert, O. (Reviewer)
25.09.2019Activity: Other expert activities › Academic Consultant › Transfer
sample and hold - der Klang der gefüllten Speicher 1999
Großmann, R. (Speaker)
1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
'Sampling' Symposium der Hochschule f. angewandte Kunst 1994
Großmann, R. (Speaker)
1994Activity: Participating in or organising an academic or articstic event › Conferences › Research