Institute of History and Literary Cultures
Organisational unit: Institute
Organisation profile
The Institute of History and Literary Cultures is dedicated to culturally oriented research and instruction in history and literary criticism. The Institute focuses its research particularly on the cultural history and literary phenomena of the 20th and 21st centuries. The Institute is divided into the Departments of History and Literary Cultures.
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Transiträume der Flucht: Dekonstruktionen der „Heimat Europa“
Steierwald, U. R., 11.2015, In: literaturkritik.de. 17, 11.2Research output: Journal contributions › Critical reviews › Research
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Transformation der Gewalt im Film: über Riefenstahl, Améry, Cronenberg, Egoyan, Marker, Kluge, Farocki
Kramer, S., 2014, Berlin: Bertz+Fischer Verlag. 183 p.Research output: Books and anthologies › Monographs › Research › peer-review
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To the unknown reader: Constructing absent readership in the eighteenth-century novel: Fielding, Sterne and Richardson
West, R., 2001, In: Arbeiten aus Anglistik und Amerikanistik. 26, 2, p. 105-123 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Tiefenzeit
Stoffel, P., 10.03.2020, Formen der Zeit: Ein Wörterbuch der ästhetischen Eigenzeiten. Gamper, M., Hühn, H. & Richter, S. (eds.). Hannover: Wehrhahn Verlag, p. 365-372 8 p. (Ästhetische Eigenzeiten; vol. 16).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Throwing Bombs in the Consciousness of the Masses: The Red Army Faction and Its Mediality
Balz, H., 15.01.2014, Media and Revolt: Strategies and Performances from the 1960s to the Present. Fahlenbach, K., Sivertsen, E. & Werebskjold, R. (eds.). New York: Berghahn Books, p. 267-282 16 p. (Protest, culture and society; no. 11).Research output: Contributions to collected editions/works › Chapter › peer-review
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Thinking with Laughter: Notes on Walter Benjamin’s Humour
Gellai, S. & Drews, K., 08.11.2025, In: Forum for Modern Language Studies. 61, 3, p. 1-30Research output: Journal contributions › Journal articles › Research
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The Threepenny Opera. Author: Brecht / Weill / Hauptmann/ Gay. Adaption: Willet Manheim. Direction: Kristan Seemel, Set Design: Jarrod Bray, Costume Design: Lara De Bruen, Lightning Design: Nick Solyom. Ensemble: Brown University/Trinity Rep. Pell Chafee Performance Center in Providence, RI/USA. May 12 – 22, 2011
Dettmer, K., 2011, In: Communications from the International Brecht Society. 40, p. 63-65 3 p.Research output: Journal contributions › Critical reviews › Research
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The Same But Different. Ambivalent Internationalism in Early Twentieth-Century Children's Books.
O'Sullivan, E., 01.01.2011, In: The Princeton University Library Chronicle. 72, 3, p. 683-712 29 p.Research output: Journal contributions › Journal articles › Research
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Theodor Fontane, das Fremde und die Juden
Fischer, T., 2005, In: Historische Literatur. 3, 2, p. 142-146 5 p.Research output: Journal contributions › Critical reviews › Research
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The “Age of the Chronicler”? Literary Contemporary History in Juli Zehʼs Novels Unterleuten, Über Menschen, and Zwischen Welten
Drews, K., 23.09.2024, Juli Zeh: A Critical Companion. Chronister, N., Klocke, S. E. & Richter, L. (eds.). Berlin/Boston: Walter de Gruyter, p. 49-74 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review