School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
- 2023
- Published
"How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s
Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer , E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Ins Bild kommen: Spielräume der Kunstkritik
Hosseini, A. (Editor), Kipke, A. (Editor), Kuhn, H. (Editor) & Woisnitza, M. (Editor), 2023, Paderborn: Brill | Fink. 234 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Ins Bild kommen: Spielräume der Kunstkritik
Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M., 2023, Ins Bild kommen : Spielräume der Kunstkritik . Kipke, A., Woisnitza, M., Hosseini, A. & Kuhn, H. (eds.). Paderborn: Brill | Fink, p. xv-xxi 7 p.Research output: Contributions to collected editions/works › Other › Research
- Published
Institutionalisierte Institutionskritik: Lynn Rother über ,Wege der Kunst’ im Museum Rietberg, Zürich, sowie ,Zerrissene Moderne’ und ,Der Sammler Curt Glaser’ im Kunstmuseum Basel
Rother, L., 2023, In: Texte zur Kunst. 33, 131, p. 214-219 6 p.Research output: Journal contributions › Journal articles › Research
- Published
"Instrumentalität": der Begriff des Musikinstruments zwischen Klangerzeuger, Kultgerät und Körper-Technik
Hardjowirogo, S.-I., 2023, Baden-Baden: Georg Olms Verlag AG. 302 p. (MusikmachDinge ((audio)) ästhetische Strategien und Sound-Kulturen; vol. 7)Research output: Books and anthologies › Monographs › Research
- Published
In the Aftermath of Violence. On Being Present and Calling Into Presence
Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
In the Making: In the Desert of Modernity: Colonial Planning and After ; Traversing a Project Exhibition
von Osten, M., Buchmann, S. (Editor), Leeb, S. (Editor) & Spillmann, P. (Editor), 2023, Berlin: b-books. 236 p. (PoLYpeN)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data
Mariani, F., 2023, Computational Methods in the Humanities 2022 : Proceedings of the Workshop on Computational Methods in the Humanities 2022 Lausanne, Switzerland, June 9–10, 2022.. Rochat, Y., Metrailler, C. & Piotrowski, M. (eds.). Aachen: Sun Site Central Europe (RWTH Aachen University), Vol. 3602. p. 63-84 22 p. (CEUR Workshop Proceedings; vol. 3602).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Is Code Law? Kritik in Zeiten algorithmischer Gouvernementalität
Mattutat, L., Stubenrauch, H. & Warnsholdt, C. L., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 21-42 22 p. (Digital Cultures Series).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Judgement Practices in the Artistic Field
Heymer, E. (Editor), Locher, H. (Editor), Marchal, S. (Editor), Sachs-Resch, M. (Editor) & Söntgen, B. (Editor), 2023, München: edition metzel. 504 p. (Praktiken der Kritik; vol. 3)Research output: Books and anthologies › Collected editions and anthologies › Research