Soundcultures, Audio Cultures, Auditory Cultures: Der Diskurs um die auditive Kultur und die Musikwissenschaft

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Soundcultures, Audio Cultures, Auditory Cultures: Der Diskurs um die auditive Kultur und die Musikwissenschaft. / Großmann, Rolf.
in: Navigationen, Jahrgang 15, Nr. 2, 2015, S. 13-30.

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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@article{f13bf224bccb4f8ba2e395e126072072,
title = "Soundcultures, Audio Cultures, Auditory Cultures: Der Diskurs um die auditive Kultur und die Musikwissenschaft",
abstract = "In the early years of the twenty-first century a set of anthologies appearing under the programmatic titles quoted in the heading above provided the basis for a new, transdisciplinary field of academic research into sound and music. What was new was the overall view of all areas of auditory culture, of hearing/listening (to) and 'Gestaltung'/shaping (sound), of media configurations and transcultural influences. Preferred topics include sound practices and environments, which, although being part of everyday culture, are hardly given due consideration in the established academic fields. Apart from a methodological renewal of the workoriented humanities the aim is to bring together different lines of traditions such as futurism, Bauhaus, Musique Concr{\`e}te, etc., that reach deep into the 20th century. In this context the contribution pursues two objectives: first, it provides a general overview of the discourse and its subjects. In a second step it deals with possibilities of change and extension of the academic disciplines within the thematic field.",
keywords = "Musik, Medien- und Kommunikationswissenschaft, Digitale Medien",
author = "Rolf Gro{\ss}mann",
year = "2015",
language = "Deutsch",
volume = "15",
pages = "13--30",
journal = "Navigationen",
issn = "1619-1641",
publisher = "Sch{\"u}ren Verlag",
number = "2",

}

RIS

TY - JOUR

T1 - Soundcultures, Audio Cultures, Auditory Cultures

T2 - Der Diskurs um die auditive Kultur und die Musikwissenschaft

AU - Großmann, Rolf

PY - 2015

Y1 - 2015

N2 - In the early years of the twenty-first century a set of anthologies appearing under the programmatic titles quoted in the heading above provided the basis for a new, transdisciplinary field of academic research into sound and music. What was new was the overall view of all areas of auditory culture, of hearing/listening (to) and 'Gestaltung'/shaping (sound), of media configurations and transcultural influences. Preferred topics include sound practices and environments, which, although being part of everyday culture, are hardly given due consideration in the established academic fields. Apart from a methodological renewal of the workoriented humanities the aim is to bring together different lines of traditions such as futurism, Bauhaus, Musique Concrète, etc., that reach deep into the 20th century. In this context the contribution pursues two objectives: first, it provides a general overview of the discourse and its subjects. In a second step it deals with possibilities of change and extension of the academic disciplines within the thematic field.

AB - In the early years of the twenty-first century a set of anthologies appearing under the programmatic titles quoted in the heading above provided the basis for a new, transdisciplinary field of academic research into sound and music. What was new was the overall view of all areas of auditory culture, of hearing/listening (to) and 'Gestaltung'/shaping (sound), of media configurations and transcultural influences. Preferred topics include sound practices and environments, which, although being part of everyday culture, are hardly given due consideration in the established academic fields. Apart from a methodological renewal of the workoriented humanities the aim is to bring together different lines of traditions such as futurism, Bauhaus, Musique Concrète, etc., that reach deep into the 20th century. In this context the contribution pursues two objectives: first, it provides a general overview of the discourse and its subjects. In a second step it deals with possibilities of change and extension of the academic disciplines within the thematic field.

KW - Musik

KW - Medien- und Kommunikationswissenschaft

KW - Digitale Medien

M3 - Zeitschriftenaufsätze

VL - 15

SP - 13

EP - 30

JO - Navigationen

JF - Navigationen

SN - 1619-1641

IS - 2

ER -