Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration
Publikation: Beiträge in Sammelwerken › Kapitel
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Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration. / Wernicke, Carsten.
Arts and Power: Policies in and by the Arts. Hrsg. / Lisa Gaupp; Alenka Barber-Kersovan; Volker Kirchberg. Wiesbaden : Springer, 2022. S. 311-324 (Kunst und Gesellschaft).Publikation: Beiträge in Sammelwerken › Kapitel
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TY - CHAP
T1 - Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration
AU - Wernicke, Carsten
PY - 2022
Y1 - 2022
N2 - The use and implementation of software and digital-material controllers in conjunction with protocols indispensable for the process change the aesthetic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/software/protocol). The role of the empty-world hypothesis as a hidden agenda of these devices will be examined in more detail with the aid of a self-produced video documenting the use of the digital-material interface ROLI Seaboard by a musician playing in an “Arabic” idiom. Due to its dialectic framing character, the ROLI device will have to be described as a culturally expanding facilitator on the one hand and as a cultural capitalist artifact on the other.
AB - The use and implementation of software and digital-material controllers in conjunction with protocols indispensable for the process change the aesthetic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/software/protocol). The role of the empty-world hypothesis as a hidden agenda of these devices will be examined in more detail with the aid of a self-produced video documenting the use of the digital-material interface ROLI Seaboard by a musician playing in an “Arabic” idiom. Due to its dialectic framing character, the ROLI device will have to be described as a culturally expanding facilitator on the one hand and as a cultural capitalist artifact on the other.
KW - Cultural Distribution/Cultural Organization
KW - Didactics of art education
U2 - 10.1007/978-3-658-37429-7_15
DO - 10.1007/978-3-658-37429-7_15
M3 - Chapter
SN - 978-3-658-37428-0
T3 - Kunst und Gesellschaft
SP - 311
EP - 324
BT - Arts and Power
A2 - Gaupp, Lisa
A2 - Barber-Kersovan, Alenka
A2 - Kirchberg, Volker
PB - Springer
CY - Wiesbaden
ER -