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Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration

Research output: Contributions to collected editions/works › Chapter

Standard

Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration. / Wernicke, Carsten.
Arts and Power: Policies in and by the Arts. ed. / Lisa Gaupp; Alenka Barber-Kersovan; Volker Kirchberg. Wiesbaden: Springer Verlag, 2022. p. 311-324 (Kunst und Gesellschaft).

Research output: Contributions to collected editions/works › Chapter

Harvard

Wernicke, C 2022, Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration. in L Gaupp, A Barber-Kersovan & V Kirchberg (eds), Arts and Power: Policies in and by the Arts. Kunst und Gesellschaft, Springer Verlag, Wiesbaden, pp. 311-324. https://doi.org/10.1007/978-3-658-37429-7_15

APA

Wernicke, C. (2022). Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration. In L. Gaupp, A. Barber-Kersovan, & V. Kirchberg (Eds.), Arts and Power: Policies in and by the Arts (pp. 311-324). (Kunst und Gesellschaft). Springer Verlag. https://doi.org/10.1007/978-3-658-37429-7_15

Vancouver

Wernicke C. Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration. In Gaupp L, Barber-Kersovan A, Kirchberg V, editors, Arts and Power: Policies in and by the Arts. Wiesbaden: Springer Verlag. 2022. p. 311-324. (Kunst und Gesellschaft). doi: 10.1007/978-3-658-37429-7_15

Bibtex

@inbook{b87cfa19c6a04f94a887fdc3ea1d6d9c,
title = "Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration",
abstract = "The use and implementation of software and digital-material controllers in conjunction with protocols indispensable for the process change the aesthetic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/software/protocol). The role of the empty-world hypothesis as a hidden agenda of these devices will be examined in more detail with the aid of a self-produced video documenting the use of the digital-material interface ROLI Seaboard by a musician playing in an “Arabic” idiom. Due to its dialectic framing character, the ROLI device will have to be described as a culturally expanding facilitator on the one hand and as a cultural capitalist artifact on the other.",
keywords = "Cultural Distribution/Cultural Organization, Didactics of art education",
author = "Carsten Wernicke",
year = "2022",
doi = "10.1007/978-3-658-37429-7_15",
language = "English",
isbn = "978-3-658-37428-0",
series = "Kunst und Gesellschaft",
publisher = "Springer Verlag",
pages = "311--324",
editor = "Lisa Gaupp and Alenka Barber-Kersovan and Volker Kirchberg",
booktitle = "Arts and Power",
address = "Germany",

}

RIS

TY - CHAP

T1 - Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration

AU - Wernicke, Carsten

PY - 2022

Y1 - 2022

N2 - The use and implementation of software and digital-material controllers in conjunction with protocols indispensable for the process change the aesthetic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/software/protocol). The role of the empty-world hypothesis as a hidden agenda of these devices will be examined in more detail with the aid of a self-produced video documenting the use of the digital-material interface ROLI Seaboard by a musician playing in an “Arabic” idiom. Due to its dialectic framing character, the ROLI device will have to be described as a culturally expanding facilitator on the one hand and as a cultural capitalist artifact on the other.

AB - The use and implementation of software and digital-material controllers in conjunction with protocols indispensable for the process change the aesthetic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/software/protocol). The role of the empty-world hypothesis as a hidden agenda of these devices will be examined in more detail with the aid of a self-produced video documenting the use of the digital-material interface ROLI Seaboard by a musician playing in an “Arabic” idiom. Due to its dialectic framing character, the ROLI device will have to be described as a culturally expanding facilitator on the one hand and as a cultural capitalist artifact on the other.

KW - Cultural Distribution/Cultural Organization

KW - Didactics of art education

U2 - 10.1007/978-3-658-37429-7_15

DO - 10.1007/978-3-658-37429-7_15

M3 - Chapter

SN - 978-3-658-37428-0

T3 - Kunst und Gesellschaft

SP - 311

EP - 324

BT - Arts and Power

A2 - Gaupp, Lisa

A2 - Barber-Kersovan, Alenka

A2 - Kirchberg, Volker

PB - Springer Verlag

CY - Wiesbaden

ER -

Other publications by the same author(s)

„Aber viel wichtiger, ich hoffe, nicht." Funktion und Relevanz beruflicher Nutzung von digitalen Plattformen durch fortgeschrittene Musikstudierende

Herr, C. & Wernicke, C., 14.06.2024, In: Musikforschung. 77, 2, p. 113-132 20 p.

Research output: Journal contributions › Journal articles › Research › peer-review

Musikalische Interface-Designs: Augmentierte Kreativität und Konnektivität

Ahlers, M., Jörissen, B., Wernicke, C. & Donner, M., 01.10.2023, Digitalisierung in der kulturellen Bildung : Interdisziplinäre Perspektiven für ein Feld im Aufbruch. Jörissen, B., Kröner, S., Birnbaum, L., Krämer, F. & Schmiedl, F. (eds.). München: Kopaed, p. 55-62 8 p. (Kulturelle Bildung und Digitalität; vol. 2).

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

Zwischen Modularer Konstitution und Niedrigschwelligkeitkeitsmythos. Musik-Interfaces als Medien der Demokratisierung?

Wernicke, C. & Ahlers, M., 01.10.2023, Musik und Medien – Musik als Medium: Interdisziplinäre Zugänge zu einem kontroversen Thema. Pasuchin, I. & Losert, M. (eds.). Wien: LIT Verlag, p. 57–75 19 p. (Einwürfe; vol. 12).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Musikmachdinge im Kontext. Forschungszugänge zur Soziomaterialität von Musiktechnologie

Ahlers, M. (Editor), Jörissen, B. (Editor), Wernicke, C. (Editor) & Donner, M. (Editor), 25.05.2022, Hildeshelm: Georg Olms Verlag AG. 304 p. ( MusikmachDinge. ((audio)). Ästhetische Strategien und Sound-Kulturen; vol. 6)

Research output: Books and anthologies › Collected editions and anthologies › Research

Rekonstruktionen konvergenter und divergenter Problemlösetypen und -modi in musikalisch-kreativen Prozessen und der Aneignung von MusikmachDingen

Wernicke, C. & Ahlers, M., 25.05.2022, MusikmachDinge im Kontext: Forschungszugänge zur Soziomaterialität von Musiktechnologie. Ahlers, M., Jörissen, B., Donner, M. & Wernicke, C. (eds.). Zürich, Hildesheim, New York: Georg Olms Verlag AG, p. 265-291 27 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 6).

Research output: Contributions to collected editions/works › Chapter › peer-review

DOI

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