Performing (the) digital: Positions of critique in digital cultures

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Performing (the) digital: Positions of critique in digital cultures. / Leeker, Martina.
Performing the Digital: Performance Studies and Performances in Digital Cultures. ed. / Timon Beyes; Imanuel Schipper; Martina Leeker. Vol. 11 1. ed. Bielefeld: transcript Verlag, 2016. p. 21-63 (Digitale Gesellschaft).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Leeker, M 2016, Performing (the) digital: Positions of critique in digital cultures. in T Beyes, I Schipper & M Leeker (eds), Performing the Digital: Performance Studies and Performances in Digital Cultures. 1 edn, vol. 11, Digitale Gesellschaft, transcript Verlag, Bielefeld, pp. 21-63. https://doi.org/10.14361/9783839433553-002

APA

Leeker, M. (2016). Performing (the) digital: Positions of critique in digital cultures. In T. Beyes, I. Schipper, & M. Leeker (Eds.), Performing the Digital: Performance Studies and Performances in Digital Cultures (1 ed., Vol. 11, pp. 21-63). (Digitale Gesellschaft). transcript Verlag. https://doi.org/10.14361/9783839433553-002

Vancouver

Leeker M. Performing (the) digital: Positions of critique in digital cultures. In Beyes T, Schipper I, Leeker M, editors, Performing the Digital: Performance Studies and Performances in Digital Cultures. 1 ed. Vol. 11. Bielefeld: transcript Verlag. 2016. p. 21-63. (Digitale Gesellschaft). doi: 10.14361/9783839433553-002

Bibtex

@inbook{ce80bd3fe54247e1ba451b74b716ad81,
title = "Performing (the) digital: Positions of critique in digital cultures",
abstract = "Digital cultures1 are performative cultures. This assumption is illustrated by theubiquitous and invisible infrastructures that constitute them, which are interstratifiedby so-called {\textquoteleft}smart things{\textquoteright} (Engemann/Sprenger 2015; G{\"u}nel/Halpern2016), creating a socio-technical environment, in which performances of thetechnological come about. While human users may not be able to comprehendthe entire technological performance, they are without a doubt intertwined withit. The digital performs, the human reacts to the agency the technologies suggest,and vice versa: “Performing (the) Digital”.",
keywords = "Digital media, Media Theory, Media, Technology, Culture, Performing Arts, Digital Media, Cultural Theory, Media Studies, Body, Cultural studies",
author = "Martina Leeker",
year = "2016",
month = nov,
doi = "10.14361/9783839433553-002",
language = "English",
isbn = "978-3-8376-3355-9",
volume = "11",
series = "Digitale Gesellschaft",
publisher = "transcript Verlag",
pages = "21--63",
editor = "Timon Beyes and Imanuel Schipper and Martina Leeker",
booktitle = "Performing the Digital",
address = "Germany",
edition = "1",

}

RIS

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T1 - Performing (the) digital

T2 - Positions of critique in digital cultures

AU - Leeker, Martina

PY - 2016/11

Y1 - 2016/11

N2 - Digital cultures1 are performative cultures. This assumption is illustrated by theubiquitous and invisible infrastructures that constitute them, which are interstratifiedby so-called ‘smart things’ (Engemann/Sprenger 2015; Günel/Halpern2016), creating a socio-technical environment, in which performances of thetechnological come about. While human users may not be able to comprehendthe entire technological performance, they are without a doubt intertwined withit. The digital performs, the human reacts to the agency the technologies suggest,and vice versa: “Performing (the) Digital”.

AB - Digital cultures1 are performative cultures. This assumption is illustrated by theubiquitous and invisible infrastructures that constitute them, which are interstratifiedby so-called ‘smart things’ (Engemann/Sprenger 2015; Günel/Halpern2016), creating a socio-technical environment, in which performances of thetechnological come about. While human users may not be able to comprehendthe entire technological performance, they are without a doubt intertwined withit. The digital performs, the human reacts to the agency the technologies suggest,and vice versa: “Performing (the) Digital”.

KW - Digital media

KW - Media Theory

KW - Media

KW - Technology

KW - Culture

KW - Performing Arts

KW - Digital Media

KW - Cultural Theory

KW - Media Studies

KW - Body

KW - Cultural studies

UR - http://d-nb.info/1079397272

UR - https://www.mendeley.com/catalogue/44fe2cab-17e2-34af-acb5-ff39d2b7b3b5/

U2 - 10.14361/9783839433553-002

DO - 10.14361/9783839433553-002

M3 - Contributions to collected editions/anthologies

SN - 978-3-8376-3355-9

VL - 11

T3 - Digitale Gesellschaft

SP - 21

EP - 63

BT - Performing the Digital

A2 - Beyes, Timon

A2 - Schipper, Imanuel

A2 - Leeker, Martina

PB - transcript Verlag

CY - Bielefeld

ER -