Mainstream und Gegenwartskunst

Research output: Journal contributionsJournal articlesResearch

Standard

Mainstream und Gegenwartskunst. / Maset, Pierangelo.
In: Musik & Ästhetik, Vol. 11, No. 42, 2007, p. 80-96.

Research output: Journal contributionsJournal articlesResearch

Harvard

Maset, P 2007, 'Mainstream und Gegenwartskunst', Musik & Ästhetik, vol. 11, no. 42, pp. 80-96.

APA

Vancouver

Bibtex

@article{068f8a316c4947f8958d6618c70d3057,
title = "Mainstream und Gegenwartskunst",
abstract = "In this contribution, the author expresses concern about the development of contemporary art, which has more and more become the plaything of capital and power interests through the increasing infuence of pressure groups and networks. It is necessary, precisely in the light of the sitation as diagnosed here, to hold on to a notion of artistic autonomy, for neither science nor political ideologies can ensure the continuation of art by means of artistic creations. The clear discourse-oriented nature of contemporary art since the 1990s has not led to greater freedom, but rather transformed the field of art into a sociology-dominated zone of capital generation. Here the artists are the ones who truly lose out, for their status and their role today are significantly restricted by art managers and curators.",
keywords = "Didaktik der Kunst, Kunst , Geschichte , Mainstream ",
author = "Pierangelo Maset",
year = "2007",
language = "Deutsch",
volume = "11",
pages = "80--96",
journal = "Musik & {\"A}sthetik",
issn = "1432-9425",
publisher = "Klett-Cotta Verlag",
number = "42",

}

RIS

TY - JOUR

T1 - Mainstream und Gegenwartskunst

AU - Maset, Pierangelo

PY - 2007

Y1 - 2007

N2 - In this contribution, the author expresses concern about the development of contemporary art, which has more and more become the plaything of capital and power interests through the increasing infuence of pressure groups and networks. It is necessary, precisely in the light of the sitation as diagnosed here, to hold on to a notion of artistic autonomy, for neither science nor political ideologies can ensure the continuation of art by means of artistic creations. The clear discourse-oriented nature of contemporary art since the 1990s has not led to greater freedom, but rather transformed the field of art into a sociology-dominated zone of capital generation. Here the artists are the ones who truly lose out, for their status and their role today are significantly restricted by art managers and curators.

AB - In this contribution, the author expresses concern about the development of contemporary art, which has more and more become the plaything of capital and power interests through the increasing infuence of pressure groups and networks. It is necessary, precisely in the light of the sitation as diagnosed here, to hold on to a notion of artistic autonomy, for neither science nor political ideologies can ensure the continuation of art by means of artistic creations. The clear discourse-oriented nature of contemporary art since the 1990s has not led to greater freedom, but rather transformed the field of art into a sociology-dominated zone of capital generation. Here the artists are the ones who truly lose out, for their status and their role today are significantly restricted by art managers and curators.

KW - Didaktik der Kunst

KW - Kunst

KW - Geschichte

KW - Mainstream

UR - http://www.scopus.com/inward/record.url?scp=61149262488&partnerID=8YFLogxK

M3 - Zeitschriftenaufsätze

VL - 11

SP - 80

EP - 96

JO - Musik & Ästhetik

JF - Musik & Ästhetik

SN - 1432-9425

IS - 42

ER -